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Bebop Spoken There

John McDonough (reviewing Bright Red Dog’s In Vivo): “When you improvise on nothing, that’s what you get”. - DownBeat August 2021

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,508 (and counting) posts since we started blogging 13 years ago. 926 of them this year alone and, so far, 90 this month (July 27).

From This Moment On

Wed 28: Ragtime Rewind Swing Band @ Assembly Rooms, 40 North Bailey, Durham DH1 3ET. 9:20pm. £8.00. A Durham Fringe Festival event (www.durhamfringe.co.uk).

Thu 29: Vieux Carré Jazzmen @ The Holystone North Tyneside. 1:00pm.

Thu 29: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.

Sat 31: Lindsay Hannon @ Prohibition Bar, Newcastle. 8:00pm. Lindsay previews new, original material.

Sat 31: jaktar + Johnny Richards @ Lit & Phil, Newcastle. 8:00pm. JNE promotion.

August

Sun 01: Vieux Carre Hot 4 @ Spanish City, Whitley Bay. 12 noon.

Sun 01: Jeffrey Hewer Quartet @ The Globe, Newcastle. 8:00pm. Leeds College of Music graduate guitarist (Masters, Jazz Performance & Composition).

Sunday, August 02, 2009

Stockton Jazz Festival. Part one 12 noon - 4:00 pm.

This was indeed a musical banquet with each course a musiculinary delight. For starters there was Alter Ego. Hard blowing bop led by Keith Robinson (alto) and spurred on by David Francis' Art Blakeyian drive. Alongside Keith in the front line were Niall Armstrong (flt/ten) and Alex Leathard (tmb) - even without Dave Hignett's trumpet they put the boot in with some powerful blowing. The rhythm section of Giles Strong (gtr), Andy Hawking (pno), Ian Paterson (bs) and David F on drums meant the impetus never faltered. Click here for some stunning pictures from Amanda Knight, Alter Ego finished with a storming "The Soulful Mr Timmons" that said to the world - "Follow That!"...
... And that's just what the Zoe Gilby Quintet did - in spades! I can honestly say that this was the best set I've heard from Zoe for many a moon; this afternoon everything worked. Opening with a sort of a medley whereby "I'm Beginning to See The Light" somehow had "When Lights Are Low" entwined in the middle. They've both got 'light(s)' in the title get it? Anyhow it worked beautifully. A duo number, with Zoe and husband to be Andy on bass, "Nice Work If You Can Get It", was simply magnificent and, although she scatted it was done tastefully and so appealingly that even Angela would have approved!
"That Old Black Magic" also raised a few goosebumps as did the final "West Coast Blues" with solos from Mark Williams (gtr), Mark Jackson, sitting in on piano, Andy 'the bass' Champion, Richard Brown (dms) and last and most definitely not least, "Mister here there and everywhere" Noel Dennis on Geneva trumpet. His solo was really something but then again, aren't they always?
It was asking a lot of the Miles Ahead group to follow Alter Ego and Zoe but they did it brilliantly. A mixture of youth and experience they played some tricky scores expertly and the girl saxes all had good solo spots. Lead alto Caroline Bagley's feature on "You Don't Know What Love Is" being particularly outstanding. As Noel said, "The future of jazz is in safe hands."
If anyone can give me the names I'll carve them here with pride. (Click here for a view from the inside).
By this time the need for some non-musical culinary delights surfaced and they were immediatly satisfied by Hilary who produced ham and cheese & corned beef and pickle sandwiches - with choccy bickies to follow. This seemed to be pretty close to heaven.
The final set of my tenure was Saxophonics - a saxophone quartet. Keith Robinson (alt), Steve Summers (alt/ten), Graeme Wilson(ten) and Niall Armstrong (bar) were the saxes and they played the complex arrangements to perfection. Impossible to fault but perhaps a little too perfect if that is possible. The harmonic richness and the four way counterpoint did make for some intriguing passages but I have to admit I did miss a rhythm section.
By now it was 4:00 pm and I had to depart for pastures new.
Russell will deliver his report on events from here onwards or until the bar closes.
Lance.

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