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Bebop Spoken There

Giovanni Guidi: "So many jazz albums today are all original compositions, and five minutes after the record is finished, you can't remember a single song. I think it's a problem." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday October 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Aurora - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student). Zoë Gilby, Noel Dennis & co play the music of Tom Harrell.

No Fox - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Darlington Big Band - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Gerry Richardson Jazz Quartet - Hoochie Coochie, 54 Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. 8:30pm (doors 7:00pm). Free.

Blues/Soul/Funk

Holy Moly & the Crackers - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AE. Tel: 01642 674115. 7:30pm. £12.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, August 23, 2009

The Story of the Hagstrom James L D'Aquisto Guitar by Ron Chapman.

My earlier meeting today with Ron Chapman produced this post that first appeared in "Just Jazz Guitar". Ron writes about his Hagstrom "Jimmy" guitars. It's a must for all guitar buffs. Click here. (Ignore the date on the link today's date is the correct one!) Lance. (There will be more from Ron later inc. a piece on Gary Potter.)

2 comments :

Roly said...

Very interesting stuff. D'Aquisto with his then apprentice Roger Borys (now a revered luthier in his own right) developed a laminate archtop which Jim Hall adopted. I think there are only a handful in existence. Jim Hall used that D'Aquisto guitar exclusively for years. It has a gorgeous sound (a lot to do with JH though). The Gibson 175 is possibly the most used jazz guitar and it's a laminate top. In recent years other luthiers have developed boutique laminate instruments - Manzer, Sadowsky, Buscarino and others. There is a school of thought that a high end laminate top instrument gives a sweeter, more balanced tone and is more consistent, guitar to guitar, than carved top guitars which may have a bigger sound, more bass but sometimes more brittle high end and more inconsistency guitar to guitar.
Roly

Ron said...

Roly is quite correct about the guitars that Jimmy D'Aquisto built, there must be at least fifty out there in the wide world somewhere. I mentioned in the Hagstrom article that he shipped fifty unfinished guitar bodies over to New York. Then fifty guitar necks intended for them were lost or stolen during the shipping. I have seen one of the guitars with the hagstrom body but with Jimmy D'Aquistos own manufactured neck. It was $30,000!!!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance