Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest TBC.
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Thursday, August 20, 2009

Paul Edis/Roly Veitch Quartet @ Blaydon Jazz Club

Paul Edis (pno), Roly Veitch (gtr), Neil Harland (bs), Billy Shield (dms).
Another one of those charming miniatures that Roly Veitch so expertly puts together.
Last month it was the trio with Noel Dennis & Neil Harland, This time around a quartet co-led with Paul Edis with Neil on bass and Billy Shield drums.
The room had a respectable sized crowd who listened intently to the opening "I Hear A Rhapsody". Intently was the operative word as, volumewise, Roly's amp was set on one of those low digit numbers that few guitarists know exist.
However, the dial was given a clockwise turn or two for "Dream Dancing" and at last we could hear the tasteful runs and phrases along with the well chosen chords to compliment Paul's piano.
"Jordu", "Cottontail", "Django", "Sultry Serenade" - a real gem - "Donna Lee" and "A Child is Born" were some of a well chosen selection of jazz standards along with some not unduly overdone tunes from the gasbook such as "Darn That Dream" and Jan Savitt's "It's A Wonderful World."
There were also a couple of originals from Paul - a boppy "Charlie's Line" that in places reminded me of a sailors hornpipe as played by Charlie Parker - and a more sensitive opus entitled simply "Dedicated to the Duke".
Paul was also featured on solo piano playing a cleverly interwoven medley of "Surrey with The Fringe on Top", "Blue on Green" and "'Round Midnight."
Neil Harland, as ever excelled on bass his melodic lines and steady accompaniment absolutely gelled.
On drums, Billy Shield kept it simple yet effective.
It was a good gig even though Roly didn't do any crooning - his lyrical phrasing on guitar made up for it. Photos.
Lance.
PS: Catch Roly on 29th August @ Boston Spa with Keith Stephen's Gypsy Jazz Trio.

1 comment :

Roly said...

Thanks for the nice review Lance. It's a moot point re volume level. So much music now is at high volume, it seems to me low volume can sometimes have more impact. Just got back from an unavoidable trip to Metro Centre - even high class stores now have loud music blasting out endlessly. I hate it.
(then my wife grumbles about me moaning on about it). I wonder how much all this saturation affects people's inclination to go to live music events? If it wasn't for my particular interest in music I think I'd be trying to escape from it. As I sit here the proverbial jobbing builder's radio is blasting out. Loud radio seems part of the job spec for these guys. Oh for peace and quiet.
And three cheers for Ed Bickert.
http://sardine.tripod.com/bickert.html
Roly

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