Mark Hanslip (reeds), Olie Brice (double bass), Tony Marsh (drums).
Last night, well before sundown, Tom-Mix rode into town on a steaming summer's evening to be greeted by an audience more the size of a posse than a division of the US cavalry. Mark Hanslip, a youthful, paid-up member of the LOOP Collective, played some well-structured and at times lyrical tenor saxophone; any reference to Sonny Rollins should not be dismissed. Bassist Olie Brice in tandem with free jazz percussion veteran Tony Marsh powered the unit with no little enthusiasm. The two-set performance featured all three musicians with little in the way of a time-out being taken by one or other. Marsh, a master of his craft, encouraged a democratic approach with the two young gunslingers being anything but hired-hands.
The gig was another in Jazz North East's 'On the Outside' programme. It was filmed and can be viewed on line shortly (poss. Sunday) at www.musicfilmbroth.com . The next installment of On the Outside is at the Star and Shadow Cinema on 27th September. Gannets, a quintet of UK improvisers, share the bill with a screening of Shirley Clarke's film 'Ornette: Made in America'.
Russell
5 comments :
Cheers Russell, good to see you there and I agree; this was in no way a bridge washed out on Route 79 - meant to ask them why they chose Tom Mix; could be cos he did all his own stunts? no safety net required -sheer poetry.
Am sending a short follow on if Lance would consider it - On The Outside deserves the words.
Consider it done. I'm looking for a Najaho Indian Squaw to interpret.
Nah - I'm just looking to squaw!
"Touchez!" as they say in Najaho territory. Bon chance with your squawing!
Problem is that I'm looking for one without reservations...
Imagine their reaction in a Florida diner when asked if I needed to cross the central reservation to get out of town - time to bail out, Geronimo!
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