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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, July 24, 2009

Tyne Soundings Live @ The Sage. Thursday 23rd July. 7.00.p.m. Performance.

Bill Fontana (Apple Mac), Tim Garland (bass clarinet, flute & soprano saxophone), Asaf Sirkis (percussion). Tim Garland explained, in a post-performance Q&A, that Tyne Soundings Live was in sevenths (determined by the intervals of the north east coastal fog horns) in the key of E. To the non-musicians present in the audience I'm not sure if this would have been helpful information pre-performance. Garland indicated that these parameters made it an interesting proposition for improvising musicians. Listening to the piece - the duration of this early evening performance being approximately thirty minutes - it occured to these ears that the instrumental input was limited; Garland keen to interject, impose, Asaf Sirkis unusually hesitant, seemingly reluctant to break the silence. Bill Fontana's work was contemplative ( some might say soporific). The dominant sound was that of the horns - Tyne North Pier and Souter Lighthouse. Sound sculptor Bill Fontana is a resident of San Francisco - the Bay Area foghorns have obvious parallels with those on the north east coast of England. The live 'soundings' were integral to the performance; Fontana, gazing intently at the screen of his Apple Mac, introduced sounds and moderated the perforrmance. The visual element (a two-screen backdrop), added to the stillness of the piece. The kittiwakes nesting on the North Tower of the Tyne Bridge were oblivious to the goings-on (the bridge contributed to the sound-scape) and the Tyne Pedestrian Tunnel was shown in a loop montage of images with scarcely audible sounds of the moving escalators. One or two jazzers were present at the performance. It is to be hoped that they appreciated the multi-disciplinary aspect of the event because the jazz content, not unexpectedly, was minimal at best. Russell

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance