Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Kevin Eland (trumpet).
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Friday, March 20, 2009

Nigel Stanger Update by Germaine

Dear Lance, We are so grateful that you remembered Nigel on the tenth anniversary of his death. His daughters, son in law, grandchildren and I, spent the 15th of March in Beadnell where his ashes are buried. It was the place he spent his teenage summers. I doubt Nigel played alto behind the WI hut, although I remember him talking of doing other things there and of singing "For those in peril on the sea', whenever his father tempted him out in his sailing dingy.
Nigel said they were only ever fifteen feet from shore and people, attracted by the volume of his singing, would wade in to rescue him. Nigel got his own back when he and his father played, (with undisguised rivalry,) 'The Entrance of the Queen of Sheba' on a couple of grand pianos. They fitted together like jig saw pieces.
I met Nigel's father when I was singing with the Johnny Taws trio, at the Gosforth Park Hotel. He told me of his pianos and that his son played jazz. I was, and indeed am, generally unimpressed by the number of pianos people own, or indeed, offspring claiming to be jazz musicians, however I became interested when, shortly afterwards, I heard Nigel play. He was with his quartet at a Newcastle Big Band gig in Eldon Square, at which I too was performing. I thought Nigel was showing off. Later I knew that it wasn't 'showing off,' merely brilliant musicianship. There was no distance between player and instrument, they were one. Later I understood the extent of Nigel's creativity, which encompassed playing, in addition to alto and tenor saxophones, piano and Hammond organ. He also had great skill as a writer and an architect. He had degrees in both English and architecture.
To his family and friends however, it is possibly his humour that is remembered on an everyday basis, he was a very witty man. His command of English, coupled with physical expressions, generated so much laughter we were helpless for much of the time. This humour was what drew Nigel and Chas Chandler together, years after they played in the 'Animals’. The outcome of that friendship (and copious giggling,) was the Newcastle Arena. Sitting in the Collingwood Arms, Jesmond, designing the future on the back of an envelope, during a game of chess.
Alex, Jessica, Ben and I were still laughing when Nigel was very ill in hospital, saying things like the WC Field's classic, "On the whole I'd rather be in Philadelphia," or as Madeline Chandler reminded me this morning, "I married a torch singer who turned into a fell walker,when I wasn't looking.'
His humour helped to hide the hideous brutality of a cancer that killed him at the early age of 56. So, when we all gathered around his grave, in the sunshine, last Sunday, it was with great sadness, with love and with laughter. We apologized to him for being unable to bury a vast quantity of booze in his grave, for going for a slap up lunch without him, and for playing in the sand with the granddaughters he never met. They call him Grandpa Nigel. I can almost hear him say "I can't be called Grandpa. I'm a mere boy and my name, to them and everyone else, is N I G E L, or on second thoughts, WJN Stanger sounds OK. I used to play the saxophone you know. Unfortunately, there's very little call for it here. It would help if John Pearce, Alfie Parker, Ronnie Pearson, Pat Crumly, Alexis Korner, Lyndolph D'Oliveira and Malcolm Saul could drop in." Is this Ok Lance? I was so very glad you remembered. We think the photograph of Nigel clapping is terrific and we haven't got a copy???
All best. Germaine.

1 comment :

Anonymous said...

Wot no bass player? Or is he keeping the gig open for Sting?

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