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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Rockafellas - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Bradley Johnston Trio + Giles Strong Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00.

Dan Garel & Friends - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm (doors). £6.00. (£3.00. student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 24, 2009

Customs House Big Band and Ruth Lambert

When the Customs House Big Band kicked off with "In The Mood" I almost groaned until I remembered the Glenn Miller version as being the first big band disc I ever bought. To complain now would be akin to shooting myself in the foot - I still have the '78' rpm record!
There were other Miller numbers - "American Patrol" and "Tuxedo Junction" - but there were also charts by Bill Holman (The Man I Love), Sammy Nestico, Neal Hefti (Li'l Darlin') and the even more contemporary Gordon Goodwin which made for a well rounded program that was appreciated by a decent sized crowd. The saxes are a nicely balanced section with good soloists in Jill Brett, alto, and tenormen John Hudson and Alan Marshall. Elaine Willis, daughter of guitarist Roy, blew 2nd alto and Chris Kaberry on bari stood in for Christine Atkinson. Gordon Marshall led the trumpets (Ken de Vere, Paul Gledhill, Harry Ruddick Damian Kelly) from the upper slopes of Mount Olympus as well as taking care of the solos. Trombone choruses were shared by Mike Fletcher, Chris Smith (?) Gareth Weaver(?) with MD Peter Morgan filling out the section, when not leading, on bass trombone.
Down in the galley and cooking were Bill Britain (pno), Roy Willis (gtr) - Hi Roy, long time no see - Bill Colledge (bs) and, fresh from driving the jazz-rock trio HCW at the Gateshead Jazz Festival, drummer John Hirst who proved to be equally adept in a swinging big band situation - a true all-rounder.
As if this wasn't enough - we were served up a mouthwatering dessert in the form of Ruth Lambert who positively revelled in having such a big band backing. Her material was perfect. "Always True To You Darling In My Fashion", "Black Coffee", "Almost Like Being In Love", "World On A String", "Hard Hearted Hannah", and an incredible revival of Rosie Clooney's "Mambo Italiano" were just some of the numbers Ruth delighted the audience with before the final "Alright, Okay, You Win" brought the gig to a stomping close. Photos.
Lance.
PS: Don't forget folks, they do it all again on Wednesday (25th) - same time same place.
PPS: The band's excellent CD "Love For Sale" is now on sale for a fiver. It includes vocals by Ruth and is well worth a 'deep sea diver'.
PPPS: And, of course, there's the great CLARE TEAL gig at the Customs House on Thursday.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance