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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17904 (and counting) posts since we started blogging 17 years ago. 225 of them this year alone and, so far, 72 this month (March 24).

From This Moment On ...

MARCH 2025.

Tue 25: Fred Wesley & the New JB’s @ The Cluny. 7:30pm (doors). £27.50. POSTPONED! New date Wednesday 26 November.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Hannabiell & Midnight Blue @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 27: Michael Littlefield & Scott Taylor @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb blues duo.

Fri 28: Giles Strong Quartet @ The Gala, Durham. 1:00pm. £8.00 SOLD OUT!.
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Pete Tanton’s Chet Set @ Old Cinema Laundrette, Durham. 7:45pm.
Fri 28: Sue Ferris Quintet @ Traveller’s Rest, Darlington. 8:00pm. £10.00. Opus 4 Jazz Club.
Fri 28: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 28: Juliana Day & Manon McCoy @ Cumberland Arms, Byker, Newcastle. 8:00pm. £12.00.; £10.00. advance. JNE.

Sat 29: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 29: Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Sat 29: Squabble! @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 30: Jan Spencelayh & Dave Archbold @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 30: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ Queen’s Hall, Hexham. 3:00pm.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ The Globe, Newcastle. 8:00pm.

Mon 31: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, March 21, 2009

Sheila Jordan - Gateshead Jazz Festival

Sheila Jordan (vcl). The Brian Kellock Trio. Brian Kellock (pno), Kenny Ellis (bs), Stu Richie (dms). Cleveland Watkiss (guest vocalist). ----- (photo from MySpace) An hour of late night magic in the intimate setting of the Jazz Lounge by one of the music's true originals. There is no one quite like her, Sheila Jordan is totally unique and so obviously committed to the sounds we love. Jazz, bebop, yellow cabs, uptown, downtown, Birdland; jazz and New York run through her veins then ooze out by way of her heart and soul taking us with her to 52nd St in the 'forties, 'fifties and beyond.
Belying her age Sheila treat us to a mixture of standards and jazz classics; personalised by the hippest singer in the business - I don't think Anita O'Day or even Blossom Dearie was quite as cool as this octogenarian.
The oneliners that found their way into the lyrics were something else - "How should I know how deep is the ocean? I can't swim!".
Her own verse to "My Funny Valentine" paid tribute to the Miles Davis recording whilst others involved Coltrane and Charlie Parker idolatory.
Cleveland Watkiss joined our lady for "Confirmation" and the scatted exchanges were aces high. This was one for the all-time short list
The Brian Kellock trio were in top form - what is it about jazz and the Scots? The pianist's variations on "When Your Smiling" brought tears to my eyes (sorry about that one!)
This has been a great festival and there's Joshua Redman still to come - roll on tomorrow night.
Lance.

4 comments :

Anonymous said...

The rendition of 'When you're smiling' was incredible. To play something so slowly, with so much emotion, and to still make it groove is as Roly might say, a bit special. Even more so as I played the same song hundreds of times over Christmas in the Panto I was doing, and I never thought I'd want to hear it again! Sheila Jordan was innately charming and original.

I can't wait for Joshua Redman...

Anonymous said...

Spot on review Lance. What an absolute delight from start to finish. I first 'discovered' Sheila in searching out Barry Galbraith recordings - he plays on 'Portrait of Sheila' CD on Blue Note, recorded 1962. Also a very young Steve Swallow on double bass and Denzil Best(Move) on drums. Fell in love with her singing then and her whole approach to the music. She is a wonderful jazz ambassador. Great trio too - Kellock is a very special player.
Roly

cptfinch said...

After seeing Sheila in the afternoon at the Voice in Jazz concert - I decided to miss the Final Terror gig to hear her again. It was an absolute pleasure both times. They were the highlights of the festival for me. Brilliant!

Anonymous said...

I bought the CD roly and it is everything you said it was.
"Am I Blue?", "Hum Drum Blues" which of course she opened up with and the incredible "Baltimore Oriole". Sheila singing a Hoagy song is about as good as it gets - particularly with your man Galbraith on guitar.

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