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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, January 11, 2009

Angela's Special Edition

When it comes to jazz and poetry all wrapped up in one package I usually show more than a soupcon of suspicion. This dates back to a lunchtime jam session at the Corner House one Christmas Eve and local poet Keith Armstrong reading an epic about the closing of the Derwenthaugh Coke Works. Coming, as it did, after "C Jam Blues" and "Indiana" it could have been subtitled "The Party's Over".
Since then jazz and poetry, with the exception of Mingus' "The Clown", have been kept at ear's length.
However, along came Angela J.Elliott whom I've referred to in previous posts and my position has changed. Angela has kindly sent me a demo of a forthcoming album which contains several of her poems, all jazz based in both content and accompaniment, that get to the very heart of the jazz existance.
Original words - set to music by Coltrane, Miles, Horace Silver, Duke Jordan and Lee Morgan - are interspersed with Angela J's personal take on standards and a nerve tingling interpretation of Jon Hendricks' setting for Monk's "Ask Me Now".
Behind all this, the guys of Special Edition; Louis Cennano (bs), Barry Parfitt (kbds), Graham Pike (tpt/flug/harmonica/vocal) and John Salter (dms), provide enough musical Benzedrene to keep Angela flying. Click here.
Love it.
(Keith Armstrong, referred to above, has added his comments and included his own moving item in memory of Chet Baker; "Chet - From a Window".
So that it doesn't get overlooked I've moved the thread back up the pecking order.)

5 comments :

Angela J Elliott said...

Many thanks Lance for the wonderful review of the album. It makes all the difference to have words of encouragement. Are we big in Newcastle or what!
Angela

keith armstrong said...

actually derwentaugh was written and performed by graeme rigby - though i had a few lines to read out as part of it!

never mind!

hope you enjoy this! not too sad for you i hope!

CHET - FROM A WINDOW

(in memory of Chet Baker 1929 -1988)

The constant onslaught of Amsterdam
surged through Zeedijk
on that hot night
when a full moon
dragged you
flying to your death.
In your room,
in the Prins Hendrik Hotel,
your clothes lay
neatly folded
in your suitcase,
with your body
a foetus on the street below.
Great white hope
fallen
offstage,
a love for heroin never shaken.
Sorrow was your stuff,
a plaintive,
lyrical anguish,
an excess of gloom
and charm.

This undernourished and parched body,
a singing corpse,
searching for an uncollapsed vein,
an expert driver hating the road
and the bleak hotel of his doom.
Such a foolish love.

Oklahoma farmboy on a golden trumpet,
his teeth knocked out in San Francisco,
become chained to an album a day
for a thousand dollars in cash.

And the Italian you learned in a Lucca jail,
your spirit surviving its deportation,
a lonely and melancholy master drifter
whose pianissimo
touched the soul.

Friday 13th May 1988,
Chet’s heart stopped
and his horn
lost its tongue.



KEITH ARMSTRONG

Lance said...

All is forgiven! My apologies to Graham Rigby and yourself.
The Chet piece was so moving, evocative and, yes, sad. That sadness, tempered with the memory of his music,is all there in your poem and, as such, I no longer feel quite so sad.

Angela J Elliott said...

Beautiful writing. I wish I could hear it with music. My own personal take on much jazz poetry is that when it's 'performed' the 'readers' often do just that - read, with no inflection, no emotion, just lifeless reading. I've tried to get away from that kind of delivery.

Thank you so much for sharing this fantastic story of Chet Baker. He's one I've so far overlooked.
Angela

keith armstrong said...

many thanks.
see you at a gig soon i hope.

keit armstrong aka the jingling geordie!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance