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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Thursday May 23

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Elina Duni + Trio FCT - Black Swan, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £10.00. & £8.00.

Tees Hot Club w. Richie Emmerson (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys) - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, January 18, 2009

Chet Baker Live at Ronnie Scott's 1986 TV

Cable TV is a wonderful thing. A mysterious house with many many mansions. So many channels you cannot keep track. One week they're there next they're gone sometimes they return.
Today, I discovered Sky Arts 2 and with it some vintage footage from 1986 of Chet Baker at Ronnie's. I'd seen it many years ago and remembered being irritated then by the intrusion of Van Morrison and Elvis Costello; I felt the same today. Not that I've got anything against either - any other time they'd have been welcome - but this was Chet; an anguished Chet with barely two years left.
I couldn't escape the sadness that engulfed me as I looked at the once finely chiselled features now careworn and rough hewn. The sound was still beautiful but it was beauty with a poignant edge and the notes were notes that fought to get out. The voice, no longer suave and sophisticated but with the rasping edge of the blues singer even though he wasn't singing the blues and he, more than anyone, had a right to sing the blues.
Afterwards, I re-read Keith Armstrong's poem - Chet From A Window - and I knew he'd nailed it.

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