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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, January 27, 2009

Gareth Roberts Quintet @ The Cluny

An interesting band from Wales that, possibly because of the long drive from Cardiff, took a while to impact. However, after a routine opening set, the trumpet and trombone frontline upped the ante in the second and whilst I personally would have liked a sax to balance things out they played some compelling stuff.
Leader Roberts has a rumbustious trombone style that frequently segués into impish ribaldry. Fortunately, it is also tempered with an occasional mellowness that Roy Williams would have been proud of. (Incidentally, am I the only person in the world who didn't know that Williams guested with the Vieux Carré at Gateshead Fell last Friday?).
On trumpet and four valved flugel, Gethin Liddington had his moments but for me the outstanding performance was by Jones the Piano. Paul Jones - on a real piano - played brilliantly; someone compared him to McCoy Tyner and they weren't far wrong. His dexterity and inspired solos were sheer joy.
The Brothers O'Connor, Chris on bass and Mark drums, were sound and both soloed effectively.
All in all one of the tastier of the curate's eggs.

1 comment :

russell said...

Hi Lance

Listening to Gareth Roberts in the Cluny I thought his style owed something to the great Gary Valente and I could hear Tricky Sam Nanton and Paul Rutherford-quite a stretch,I know,but there you are!Having today looked at Roberts' website I wasn't surprised to read that Gary Valente is an influence (as is Jimmy Knepper).

I enjoyed the reedless front line.There is something about brass,particularly in unison...

I agree that pianist Paul Jones was rather good.I could hear McCoy Tyner touches,especially in his response to the leader's soloing.

One thing did occur to me...there was an unusually high jazz content for a Schmazz gig!More please!

Incidentally,I have great memories of Valente in Newcastle,a real powerhouse if ever there was one.Jimmy Knepper's appearance at the Corner House was a great night.He played to such a small audience.Does anyone remember the gig?Did anyone take some photographs?

Russell

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance