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Bebop Spoken There

Camille Thurman: "Their [Tia Fuller & Mimi Jones] advice? If you're going to sing and play, be great at both or don't bother." - (DownBeat November 2018).

Greg Fishman: "I've loved playing music since I was 12, practising 8 hours a day, because I loved doing it every minute." - (DownBeat November 2018.)

Today Monday October 15

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 03, 2017

Rendezvous Jazz @ St Joseph’s, Birtley - November 2

Maureen Hall (vocals), Gavin Lee (clarinet & alto saxophone), Don Fairley (trombone), Malcolm Armstrong (keyboards), John Robinson (double bass) & George Davidson (drums & vocals)
(Review by Russell)
Alabama Jubilee, Royal Telephone, Alexander’s Ragtime Band. Dixieland and gospel – trademark Rendezvous Jazz. St Joseph’s CMS Parish Centre on Birtley Lane has presented jazz for close on two decades. On an evening such as this draw the Mason-Dixon Line straight through the Borough of Gateshead. Maureen Hall’s raiders set up camp in St Joseph’s concert room. Hall’s lieutentants, Gavin Lee and Don Fairley, sat either side, armed with clarinet and alto saxophone, and trombone. In the platoon’s chuck wagon conscripts Malcolm Armstrong, keyboards, John Robinson, bass, and George Davidson, drums and vocals, were busily cooking up a mighty southern stew.

I’m the Lonesomest Gal in Town sang Hall, I Want a Girl (Just Like the Girl That Married Dear Old Dad) sang Davidson…lots of gals and girls in Birtley town tonight. Lieutenant Lee’s clarinet feature, Bechet’s Petite Fleur, and Lieutenant Fairley’s mellifluous I’m Getting Sentimental Over You enabled Hall to stand to one side and appreciate the instrumental mastery of her subordinates.

The Weary Blues produced a rarity – bassist John Robinson took a short, succinct solo! The twelve bar blues Young Fashioned Ways (as recorded by Chris Barber, said Hall) prompted a few nodding heads agreeing with Hall as she sang verse and chorus. At the Jazz Band Ball, Way Down Yonder, goodtime jazz from Rendezvous Jazz. Pianist Malcolm Armstrong suggested Hall should, perhaps, sing a slower version (à la Peggy Lee) of Baby Won’t You Please Come Home? The band retired to the bar leaving the stage to Hall and Armstrong. Voice and piano accompaniment – by far Hall’s best performance in years. Do it again Maureen!

Russell                                              

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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