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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 03, 2017

CD Review: Bob Mundy - Love to Me

Bob Mundy (vocal); Dan Kaufman (piano); Peter Slavov (bass); Mark Ferber (drums); Lage Lund (drums); Sean Harkness (guitar); Dominick Farinacci (trumpet); Joel Frahm (tenor);; Sam Sadigursky (tenor/soprano); Keita Ogawa (percussion); Yves Dharamraj (cello).
(Review by Lance).
I've oft-times commented about the number of girl-singers rolling off the conveyer belt to the point where that piece of machinery must be due for a service and safety check. However, the male side of the factory is under less pressure which, perhaps, is why Bob Mundy comes across so relaxed.
Native New Yorker Mundy, born in Queens and raised on Long Island, began as a pianist and it was when he was playing piano for a variety show he was asked to get up and sing.
That was how it all began.
A pleasing, jazzlike, voice albeit closer to Bennett than Sinatra, Mundy's second album features material that is choice and far from overworked. It's always a delight when you discover a new - to me that is - song from a familiar composer. Loads of Love from 1962 show No Strings (the only show where Rodgers wrote both words and music - Rodgers also picked up a Tony award in the process) is an absolutely lovely tune and Mundy does it justice. There's also some fine blowing from Farinacci on this and throughout.
Joel Frahm blows some burnt toast tenor on Chris Caswell's Getting Beyond Goodbye. Mundy breaks his heart over an amazing range.Two versions of The Good Life - 5.42 and 3.18 - Well sung but too dramatic for me.
But Beautiful: More Farinacci trumpet, muted and the perfect complement to the vocal.
Carpe Diem: Steve Cagan's a new name to me although he's now in his mid-seventies. Sondheim and Bernstein, he says were/are his inspiration. It shows. He's a musical theatre man and Mundy does nothing to change things. Little jazz here but a sound performance anyway.
All You Need to Say is by Nat Adderley with lyric by Chris Caswell which is all you need to say and the jazz returns. Farinacci once again does the business and Kaufman too does a little cookin'.
Chris Caswell provides words and music for No Time For Love and Mundy handles it well aided by Kaufman and Lund. A little scatting.
I've Never Liked You - You smoke and you snore, you've got no money and your friends are a bore etc leading to the punchline, I've never liked you, but I miss you like hell! The album's worth it for this track alone even if its jazz content is minimal - it transgresses genre.
Until (Sting); Love to Me; The Last Night of the Year finish things off.
An ok album.
Buy/sample.
Lance

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance