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Bebop Spoken There

Alan Broadbent: “I really enjoy working with some singers. It depends. Again, there has to be a give and take between the two of us. Otherwise, it’s just a job and I’m too old for that now.”(Jazz Times February 2015).

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Alan Broadbent: “As soon as I heard where Georgia [Mancio] was coming from, and the tradition in terms of songwriting and her appreciation of standards, it was basically the same as mine.” – (Jazzwise April 2017)

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Archives.

Today Thursday March 30.

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Strictly Smokin' Big Band- The Millstone, Haddrick's Mill Rd., South Gosforth NE3 3DB. 7pm. Free.
Pasadena Roof Orchestra - Customs House, Mill Dam, South Shields NE33 3NG. 7:30pm. £19/£17.50 (conc.)
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Tees Hot Club w. Bruce Taylor (keys); John Brett (tenor); Ray Dales (alto) - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Paul Skerritt Band - Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, July 24, 2016

CD Review: Sundae + Mr. Goessl - Makes my Heart Sway

Kate Voss (vcls/melodica); Mr. Goessl (gtr).
(Review by Lance).
Sundae is actually Kate Voss and Mr. Goessl is, simply, Mr. Goessl. Sundae, as well as being Kate Voss, is also Mrs Goessl and currently holds the prestigious title of Seattle's Vocal Jazz Princess - a crown she also picked up in 2014. As well as singing, Sundae-Kate throws in a melodica solo or two - no doubt she also makes a fine cheese soufflé.
Mr. Goessl earns his corn as one of Seattle's top guitarists across the genres and his guitar playing is right on the money. Choice chords, swingy solos perfect backing for any vocalist.

Not that Mrs. Goessl is just 'any vocalist'. She's a class act and her interpretation of a lyric can't be faulted. The GASbook material is sound although, the current trend to sing Love me or Leave me at twice the speed of light does the song no favours. Still, as, I think, Anita O'Day set the trend I suppose it's ok. In actual fact, I detect a suggestion of O'Day in her phrasing rather more than that of Billie as suggested in the blurb. However, upon repeated listening, it's Stacey Kent that springs to mind. 
After You've Gone is quite a plaintive rendition that, unlike Love me or Leave me is taken slower than the norm and Sundae is suitably emotive. 
The whole album is full of goodies but, for me, the highlight was Low Down Man
Other tracks: Do You Know What it Means to Miss New Orleans?; Stompin' at the Savoy; Young at Heart; One Note Samba; Makes my Heart Sway; Nature Boy; September in the Rain; Smile; Confessin'; Fascinating Rhythm; Pretty Little Thing.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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