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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Monday August 21

Radio
Radio 3: Jazz Now. Live from Pizza Express, Soweto Kinch featuring Andy Sheppard/Carla Bley/Steve Swallow. 11pm.
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Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
?????
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 09, 2015

CD Review: Matt Owens - The Aviators’ Ball

(Review by Russell)
Matt Owens’ CD The Aviators’ Ball is an ambitious project; large in scale, multi-genre in concept and realisation. The album is the bassist’s debut as a leader and he has assembled some of the north west’s finest musicians to assist him in his endeavours. Leftfield, indie, alt folk, string and wind ensembles, much of the music was written as a commission from the Manchester Jazz Festival.
On a visit to Prague during the city’s ball season Owens found himself, as one does, at an aviators’ ball, hence the title of the album. The CD’s cover artwork features a photograph taken in 1905 on the rooftop garden of the Midland Hotel, Manchester. Grainy, evocative of a bygone era, the image illustrates the retro aspect of Owens’ compositions. Retro, yes, yet of the moment too, with the composer’s interest in contemporary music developments and the art of the moving image (film and television credits). The musicians contributing to the project are drawn from across the spectrum. Bassoon introduces the opening track – Raindrops on Our Rooftop – and it could be straight from Peter and the Wolf. Trumpet ace Neil Yates (a bona fide jazz player) is heard on tin whistle, percussion (Rick Weedon and Danny Ward excellent throughout) references the folk music scene and the strings of the Vintage String Quartet suggest the filmic qualities found in the writing of Philip Glass and others.
So, is The Aviators’ Ball of interest to readers of Bebop Spoken Here? Should the album receive a recommendation? The jazz content is, at best, minimal, the music excellent. A worthwhile purchase, but switch off your jazz antenna. Matt Owens’ Aviators’ Ball will be released on Monday May 18 on All Made Up Records AMU0007 and on the night Owens will be playing the music at St Werburgh’s Church, Chorlton, Manchester during the Chorlton Arts Festival. Seven o’clock start, admission £5.00..    Russell.                            
Matt Owens (double bass), Neil Yates (trumpet & tin whistle), Steve Chadwick (trumpet & cornet), John Ellis (piano & organ), Edward Barnwell (piano), Tom Davies (guitar & vocals), Billy Buckley (guitar & lap steel), Zoe Kyoti (guitar & vocals), Kirsty Almeida (vocals), Rosa Campos Fernandez (vocals), Rioghnach Connolly (vocals), Orli Nyles (vocals), Cara Robinson (vocals), Caroline Sheehan (vocals), Simon Davies (bassoon), Jill Allen (clarinet), Rosa Campos Fernandez (clarinet), Amina Hussain (clarinet), Atholl Ransome (alto flute), Philip Howarth (cor anglais), Sophie Hastings (glockenspiel, marimba & vibes), Rick Weedon (drums, percussion & vibes) Danny Ward (drums), Souza Wind Quintet: Carla Souza (flute), Daniel Benfield (oboe), Lucy Rugman (clarinet & bass clarinet), Lucy Keyes (bassoon) & Jon Harris (French horn), Vintage String Quartet: Naomi Koop (violin), Alison Williams (violin), Aimée Johnson (viola) & Semay Wu (cello).     

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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