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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Wednesday August 15

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, 11 Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00.

Stu Collingwood-Russ Morgan Organ Duo - Dun Cow, Brandling Village, Jesmond, Newcastle NE2 4RS. Tel: 0191 338 7981. 8:00pm. Free.

Community Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, March 15, 2015

CD Review: Chris McNulty - Eternal

Chris McNulty (vocals); John Di Martino (arrangements and piano); Ugonna Okegwo (bass); Gregory Hutchinson (drums) + Chamber ensemble*
(Review by Ann Alex)
Prepare to shed tears whilst listening to this CD.  This is Chris McNulty’s seventh CD since she emerged on to the international jazz scene in 1991, and it is a tribute to her son, Sam McNulty, hip-hop artist-composer Chap One, who died in 2011.  McNulty researched songbooks extensively to get the right mix of material for the album, and she has assembled an excellent set of songs.  
The CD manages to avoid being too maudlin or sentimental, probably because of the skilful arrangements and genuinely heartfelt way that the songs are sung.  The sound is lush and poignant and McNulty’s voice soars around the songs, a rich voice with just a hint of a pleasing nasal tone.  I say ‘soars around’ because she makes the tunes her own, original improvisation, sometimes cutting across the musicians, sometimes with gentle scat-like vocals.
It isn’t difficult to work out the irony of songs such as What Are You Doing The Rest Of Your Life on an album such as this – I found this to be one of the most moving tracks.  Then there’s Nature Boy; With Every Breath I Take; Where Is Love (Lionel Bart); and Boulevard Of Broken Dreams. There is one original song by McNulty herself, You Are There, a simple statement of love with minimal accompaniment.  The CD opens with the oddly titled The Saga Of Harrison Crabfeathers, which is in fact a very sad love song which is achingly appropriate:
‘Crying softly for the one who cannot be here
Through the rain she sees a face laughing in happy play
The face of a child, the child on a sunny day’.
The other tracks are A Flower Is A Lovesome Thing; Stardust; Yesterday I Heard The Rain; Love Came On Stealthy Fingers; On A Clear Day.  The arrangements include good solos from piano, horns, woodwinds and bass. The making of this CD must have taken courage by all concerned, and it has just struck me as by an odd coincidence, that this review will appear here on Mother’s Day.
The CD is released on Palmetto records on March 24  
Ann Alex
* Steve Newcomb (arranger); Mazz Swift, Josh Henderson, Amanda Lo (violins); Trevor New (viola); Meaghan Burke, Marika Hughes (cellos); Jodie Rottle (flutes); Ivan Barenboim (clarinets); John Morgan-Bush (French horn); Ben Wendel (bassoon); Paul Bollenback (guitar)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance