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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Michael James: "...if Ellis [Herb] has merits they are definitely not these [fantastic fire and drive]". - (Review of Herb Ellis Meets Jimmy Giuffre (LP). Jazz Monthly May 1960).

Archives

Today Tuesday October 17

Afternoon
Vieux Carré Jazzmen - Black Bull, 98 Front St., East Boldon NE36 0SG. 1pm. Free. 0191 5365127. 5th of 6 consecutive gigs. 2 mins from East Boldon metro.
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Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Jam Session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free. James Harrison on piano.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 21, 2014

CD Review: Pat Metheny Unity Group – Kin (<->)

Pat Metheny (electric & acoustic guitars, guitar synth, electronics, orchestrionics, synths); Chris Potter  (tenor sax, bass clarinet, soprano sax, clarinet, alto flute, bass flute); Antonio Sanchez (drums and cajon); Ben Williams (acoustic and electric bass); Giulio Carmassi ( piano, trumpet, trombone, french horn, cello, vibes, clarinet, flute, recorder, alto sax, wurlitzer, whistling and vocals).
(Review by Steve H.)
This album is classic Pat Metheny for those who are familiar with his work and for those who are not this is a great place to start. The opening track on the album On Day One  is an extended rip roaring ensemble fusion piece with hints of Steve Reich style passages utilizing a variety of electronic wizardry, hand claps and anything else the band can get their hands on. Midway through the track there is a pyrotechnic saxophone solo from Chris Potter and the finale ends with some atmospheric vocals.
Rise Up begins with a Latin feel acoustic guitar solo and soon livens up with some high energy playing. Another Metheny solo, this time on electric guitar, leads us into a blast by Chris Potter before we end once more on a vocal led exit. After these wild opening tracks we are brought down to earth again by the almost classical piece Adagia. Sign of the Season is a fairly gentle bass led number. The title track Kin (ß à)  showcases  Metheny’s haunting guitar style, I am not sure what the left and right arrows stand for possibly the midpoint of the album? A beautiful ballad Born follows which is simply delicious. We Go On has a very catchy almost easy listening melody. Finally Kqu another eloquent ballad completes this thoroughly enjoyable album.
Steve H.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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