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Bebop Spoken There

Howard Riley: “When I started out playing jazz back in the late 50s, early 60s, if you wanted a gig you had to learn some standards.” – (Jazz Journal April 2017)

Eric Harland: “I love swing and I’m always going to swing but I also know that you can take a hip-hop groove and improvise with that just like you would with a swing pattern.” – (Jazz Journal April 2017)

Friday April 28

Afternoon
Rendezvous Jazz - The Black Horse, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.
Dean Stockdale Trio - Town Hall, Market Place, Bishop Auckland DL14 7NP. 1pm. £5.
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Evening
Emma Fisk's Hot Club du Nord - St. Cuthbert's Centre, Church Hill, Crook DL15 9DN. 7:30pm.
Matt Roberts Sextet - Voodoo Café, Skinnergate, Darlington DL3 7LX. 8pm. £6. 01325 467555. Darlington Jazz Festival.
Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7:00pm.
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Lazy River Jazz Band - Blenkinsopp Castle Inn, Nr. Greenhead CA8 7JS. 8pm. £5. Dancers welcome! 07721 375278 for more details.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 21, 2014

CD Review: Pat Metheny Unity Group – Kin (<->)

Pat Metheny (electric & acoustic guitars, guitar synth, electronics, orchestrionics, synths); Chris Potter  (tenor sax, bass clarinet, soprano sax, clarinet, alto flute, bass flute); Antonio Sanchez (drums and cajon); Ben Williams (acoustic and electric bass); Giulio Carmassi ( piano, trumpet, trombone, french horn, cello, vibes, clarinet, flute, recorder, alto sax, wurlitzer, whistling and vocals).
(Review by Steve H.)
This album is classic Pat Metheny for those who are familiar with his work and for those who are not this is a great place to start. The opening track on the album On Day One  is an extended rip roaring ensemble fusion piece with hints of Steve Reich style passages utilizing a variety of electronic wizardry, hand claps and anything else the band can get their hands on. Midway through the track there is a pyrotechnic saxophone solo from Chris Potter and the finale ends with some atmospheric vocals.
Rise Up begins with a Latin feel acoustic guitar solo and soon livens up with some high energy playing. Another Metheny solo, this time on electric guitar, leads us into a blast by Chris Potter before we end once more on a vocal led exit. After these wild opening tracks we are brought down to earth again by the almost classical piece Adagia. Sign of the Season is a fairly gentle bass led number. The title track Kin (ß à)  showcases  Metheny’s haunting guitar style, I am not sure what the left and right arrows stand for possibly the midpoint of the album? A beautiful ballad Born follows which is simply delicious. We Go On has a very catchy almost easy listening melody. Finally Kqu another eloquent ballad completes this thoroughly enjoyable album.
Steve H.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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