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Bebop Spoken There

Oscar Peterson: "I find most pianists use too many notes in a chord. They double up an awful lot" - (Crescendo May 1963).

Benny Green (British): "...there was a whole race of men who used to stand in front of their bands, waving their arms, pretending to conduct ... Many of the bandleaders we had worked for had been either crooks or imposters ... " - (Crescendo March 1963).

Today Saturday September 22

Afternoon

Festival of Thrift - Kirkleatham, Redcar, Cleveland TS10 5NW. 10:00am. Line-up

Evening

Emma Fisk & James Birkett - St Cuthbert’s Church, 5 Woodside, Shadforth, Co. Durham DH6 1LD. 7:30pm £10.00 (u16 free) includes finger buffet, BYOB.

Ruby Turner - ARC, Dovecot Street, Stockton on Tees TS18 1LL. Tel: 01642 525199. 8:00pm. £20.00. + £2.00. b/f.

The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, June 04, 2013

CD Review: Nikolaj Hess Trio - TRIO.

Nikolaj Hess (pno); Tony Scherr (bs); Kenny Wollesen (dms).
(Review by Lance)
Denmark's Nikolaj Hess has combined with Scherr and Woolesen to produce an album that emphasizes the lyrical and poetic, mood-filled and simple, raw, unpolished and yet virtuosity and refined..
So reads an extract from the blurb.
I found it contained a delightful, reflective, almost pastoral use of light and shade. This was just so romantic! Not Wham Bang Thank You Mam rather the progression of a genteel courtship. An expression of love with only an undertone of lust as Hess displays a classical feel without loss of the jazz mood. If Chopin had been born in New York and received tuition from say Bill Evans or Keith Jarrett he may have sounded like this - even on the Bob Dylan pieces such as Make You Feel My Love (the courtship begins) or Masters of War (the passions intensify).
Apart from Cottontail, the rest are Hess originals. Impro (the lover is dreaming), September 2010 - the most melodic track on an album that is not short of that quality. Is this a significant date? (first meeting? first kiss? first...?) Kontra could be an East European viola like instrument but here I read it as the passions igniting - then cooling - and then unsure where the affair is going.
Duke's Cottontail, somehow or other, brings the late, great, sadly long forgotten, George Wallington to mind. I like to think the lovers are out clubbing and shaking their bits at each other!
Bridge. The lovers - hand in hand - look into the waters of a stream, each throwing something, say a handkerchief, into the water and sighing delightedly as the two items meet up and float off downstream together.
Social Club. They are now one - totally committed. The bedroom beckons but he, being a man, says "We'll just have a beer in the club first..."
This is one of those rare discs where you do feel it tells a story. The story is my own and probably nowhere near what Hess was trying to convey but this was how it grabbed me and I loved it.
Apologies to Scherr and Wollesen who, as well as being important members of New York's now legendary Downtown Scene, are amongst the most sort after session men in NYC and blend perfectly with Hess' impressionistic piano.
Nice one! 
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance