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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Sunday February 18

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 12 noon. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Evening

Postmodern Jukebox - Sage Gateshead NE8 2JR. 7:30pm. From £27.30.

Bradley Johnston - The Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 6:00pm. Free. New weekly residency.

Fred Craig, Bill Stewart - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 4SJ. 7:30pm. Free.

Jazz Cooperators - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, June 18, 2013

CD Review: Brian Landrus Kaleidoscope - Mirage.

Brian Landrus (baritone sax & various 'low reeds'); Nir Felder (gtr); Lonnie Plaxico (bs); Rudy Royston (dms); Frank Carlberg (pno/keys); Mark Feldman (vln); Ryan Truesdale (cond.); Feldman String Quartet.
(Review by Lance).
Composer Landrus - Master of the Low Reeds - has created an intriguing album that merges his quintet Kaleidoscope with the Feldman String Quartet.
The 'low reeds', apart from baritone sax, comprise bass clarinet, bass flute, contra alto flute and bass saxophone all played by 'The Master' at varying times. That he is adept (or should that be adepth?) on these subterranean horns goes without saying - he's been a Down Beat Rising Star on bari for the past 3 years.
The compositions and arrangements are all by Landrus and the skilful way he merges jazz quintet with string quartet must have been inspired by the time he spent studying with Bob Brookmeyer at New England Conservatory. The late trombonist was an inspiration to many.
My conventional side favours his baritone sax work but my usually well concealed quirky side has a liking for Landrus on bass clarinet and contra alto flute - I worked in a music shop for many years and I don't think I ever saw one of those - maybe I thought it had something to do with the plumbing!
The final track - Kismet - is described as a solo bass saxophone soliloquy and I couldn't sum it up any better.
Not that this is all Landrus. Felder's guitar solos are aces high and  the string quartet is the gravy that makes all the difference to the Sunday Dinner.
Recommended to everyone but Piccolo Pete.
Mirage by Brian Landrus Kaleidoscope is slated for release on Tuesday June 25 on BlueLand Records. Check it out.
Lance.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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