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Bebop Spoken There

Chick Corea: "Most pianists with a classical training fail lamentably in the playing of our ragtime or jazz because they use the pedaling of Chopin when interpreting the blues of Handy." - (DownBeat, December 2018).

Today Monday November 12

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 13, 2018

CD Review: Peter Lin - With Respect

Peter Lin (trombone); Anthony Nelson Jr. (tenor/soprano/flute); Benjamin Kovacs (tenor); Anthony Ware (alto); James Zollar (trumpet); Oscar Williams II (piano); Charles Sigler (guitar); Ben Rubens (bass); Nic Cacioppo/ Winard Harper (drums).
(Review by Lance).
Straight down the middle jazz with a contemporary touch although not enough to do any harm. Partly reminiscent of the west coast jazz of the 1950s, the recording took place in New Jersey earlier this year. But, if you're thinking east as opposed to west you're only half right as several of the numbers are songs from the Chinese and Taiwanese popular songbooks and you can't get much further east than that. 

Monday, November 12, 2018

Jessica Radcliffe - Remembrance - Press release

Steve Crocker kindly observed that we at BSH do reviews rather than cutting and pasting press releases which, 99% of the time, is correct. 
However, on this occasion because the subject matter is so emotive and on all the front pages, rather than express my own feelings on the album I’ll leave it to the Ubuntu PR Dept. to describe the November 30 release (followed by an album launch at Pizza Express, Soho, on December 2)
Lance.

(Press release).

The Sun on Danby Gardens by Dr. Keith Armstrong

The sun on Danby Gardens
smells of roast beef,
tastes of my youth.
The flying cinders of a steam train
spark in my dreams.
Across the old field,
a miner breaks his back
and lovers roll in the ditches,
off beaten tracks.
Off Bigges Main,
my grandad taps his stick,
reaches for the braille of long-dead strikes.

Lorraine Baker's Eden - Album Launch Tour @ the Bridge Hotel, Newcastle - Nov. 11

Lorraine Baker (drums); Binker Golding (tenor); John Turville (piano); Paul Michael (bass guitar).
(Review by Lance/ photo courtesy of Ken Drew to follow).
I'd heard/reviewed the CD and knew what to expect. John Turville had replaced Liam Noble for the tour of which this JNE gig was about midway. The keyboarder dug in and ensured that nothing was lost in the exchange. Binker was, well Binker! With or without Moses he's a tenor contender. On bass guitar, Michael laid it down, soloing and supporting effectively.
Baker paid dutiful tribute to her inspiration, Ed Blackwell, and most of the numbers played related to Blackwell and are on the CD. Thus we heard compositions by Ornette Coleman, Don Cherry, Charlie Haden, Karl Berger, Mark Helias plus John Coltrane's Central Park West which I don't think is on the album (the artwork is confusing) but was quite beautiful with Golding in lyrical mode.
The first set was ok but didn't really come totally to life until the final number, Coleman's Blues Connotation, that had our tenor player in full, no holds barred, flight.

Sunday, November 11, 2018

Mike Durham's Classic Jazz Party 2018 @ Village Hotel, Newcastle - Nov 4 (evening)

(Review by Russell/Photos courtesy (and ©) of DJC de la Haye)

The final session of this year's Classic Jazz Party opened at seven thirty with the third of three
piano 'professors' - Morten Gunnar Larsen - playing to another packed main hall. As the evening's programme unfurled - Richard Pite's small group Gene Krupa Band session with Matthias Seuffert, reeds, Martin Litton, piano and string bassist Graham Hughes; the trumpets of Tomasso and Heitger working with an all European rhythm section on New Orleans hits the Big Apple; and Spats' Band giving Tom Langham free reign to showcase ragtime banjo, Al Bowlly vocals and more - thoughts turned to the set-piece finale, The Nichols-Duffee Chick Webb Orchestra

New venue for Ashington Jazz Club

Ashington Jazz Club has moved! 
After several years at the Elephant pub, December 3 sees the first concert staged by the long-running jazz club at their new home,  Block and Tackle on Blackthorn Way.
Not only a change of venue but also a change of day and, following the pattern set by the other jazz hostelries specialising in older style jazz, they've moved from Wednesday evening to Monday lunchtime.
The opening gig features Classic Swing.
Details of the new set-up can be found on the Ashington Jazz Club website.
We wish John Taylor and his team every success.
Lance.

Farewell Blues

The December issue of DownBeat as well as listing the 2018 Reader's Poll Winners (they don't have a Jazz Media category!) also draws attention to a few deaths we inadvertently overlooked.
These include baritone sax giant and 8 times DB Critics Poll winner Hamiet Bluiett; bassist Max Bennett, a frequent member of Ella's accompanying trio at Newcastle City Hall, and drummer John Von Ohlen who appeared at the same venue with Woody Herman as well as playing with and helping to form the great and vastly underrated Blue Wisp Big Band out in Cincinnati (must dig out the tapes).
Click on the links for individual obituaries.
All sadly missed.
Lance.

Saturday, November 10, 2018

CD Review: Lorraine Baker's - Eden

Lorraine Baker (drums); Binker Golding (tenor); Liam Noble (piano); Paul Michael (bass).
(Review by Lance).
Not another singer? Correct! This is not another singer, but a drummer. Why do I sound surprised? I shouldn't do as drummers of the fairer sex are no longer a rare species. Top draw drummers such as Abbie Finn, Caroline Scott, Sophie Alloway and Katie Patterson. make a mockery of any imaginary gender divides in jazz. Lester Young famously gave up playing drums, he said that as by the time he'd dismantled the kit all the available chicks had left with the saxophone players. If he'd been a girl it might have been different - "May I carry your bass drum Miss Young?"

Brandee Younger – Live @ Church of Sound, London - October 14

Ace cameraman Mochles Sa sent me some photos of harpist Brandee Younger taken in concert at The Church of Sound (Brandee for the parson?) in Clapton, London. There's also an intense review of the gig on AAA MUSIC by Craig Doporto here.
Lance.
More photos by Mochles Sa.

Kansas Smitty's House Band @ Sage Gateshead - November 9

Pete Horsfall (trumpet, vocals); Giacomo Smith (alto/clarinet); Adrian Cox (clarinet/vocals); David Archer (guitar); Joe Webb (piano); Ferg Ireland (double bass); Will Cleasby (drums).
(Review by Lance).
A cracking gig by a band that more or less lived up to its status as 'Best Small Group' in the recent British Jazz Awards. I use the qualifier as this is a very danceable group and, had we been at their home base, Kansas Smitty's in London, the floor would have been awash with dancers. As it was, the rows of seats in Sage Two limited such activity. 

Nevertheless, the band played a storming and varied programme ranging from Jelly Roll Morton style rags and stomps to Louis Jordan influenced rhythm 'n' blues via small group Ellington. 

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance