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Bebop Spoken There

Howlin' Wolf: “He [Charlie Patton] was a nice guy, but he just loved the bottle--like all the rest of the musicians. He was a great drinker.” – (DownBeat December 16, 1967).

Frank Zappa: “Those kids [US students] wouldn't know music if it came up and bit 'em on the ass.” – (DownBeat October 3, 1969).

Today Tuesday April 24

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave., Jesmond, Newcastle NE2 3EX. 8:30pm. £5.

Gerry Richardson Trio - The Fox, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (collection). Richardson; Garry Linsley (alto sax) & Adam Sinclair (drums).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 24, 2018

CD Review: Karen Lane - Passarim

Karen Lane (vocals); Andrea Trillo (drums, vocals tracks 7,10); Rob Luft (guitar); Steve Watts (bass); Graham Harvey (piano, Rhodes); Gareth Lockrane (flutes); also Aneselmo Netto (perc tracks 2,6,7); Ricardo Dos Santos (bass tracks 5,12); Saskia Horton (violin track 5); Simon McCorry (cello track 5)
(Review by Ann Alex)
By happy coincidence, I was in a Latin Jazz mood when reviewing this CD, brought on by watching the excellent documentary film about The Buena Vista Social Club (Friday evening television), with its lively street scenes of Cuba, biographies of the musicians, and of course the music itself. This CD features the music of Brazil, different country you say, but still with the Latin rhythms and songs of love shot through with images of sea, sand, trees and flowers.  

CD Review: Andrew Gould - First Things First

Andrew Gould (alto/soprano/FX pedals); Steven Feifke (piano); Marco Panascia (bass); Jake Goldras (drums) + Scott Wendholt (trumpet on 2 tracks); Ioana Vintu (vocals on 1 track).
(Review by Lance).
Such is the mountain of CDs awaiting review that it is no longer feasible for me to listen to even one track off each. Instead, I play a few bars of the opening track and if it doesn't grab me right away it is shuffled down to the bottom of the pile where it will spend the rest of its days weeping and yearning for what might have been. I realise that by doing it this way I probably miss a few gems but, by the same token, nobody is going to put their least impressive track first so I probably, subjectively, don't miss much.

Monday, April 23, 2018

Alice in (Hoochie Coochie) Wonderland @ Hoochie Coochie - April 22

 (Review by Russell)
On a beautiful spring Sunday afternoon they tumbled expectantly into the fantasy world of Hoochie Coochie to hear the story of Alice. Our adopted Geordie superstar would soon be singing her heart out to ecstatic applause. Proprietor WT had taken care of business - prime seats reserved for BSH right in front of the band. And what a band! The Strictly Smokin’ had departed the HC stage, sound check done. One figure sat alone studying the charts in front of him. Bassist Michael Whent wasn’t available on the day and depping for him was one N. Harland. Oh, that’ll do nicely!

Mad Hatters and March Hares, a Cheshire Cat, they were out in their glad rags drinking cocktails, a bottle of London Pride. At the appointed time MD Michael Lamb opened the pad at #16D – Ol’ Man River. Blistering, absolutely blistering, cue huge applause at this Hoochie Coochie Mad Hatter’s tea party. This the first tune of the first of three sets…Alice would soon be joining the party.

Teduloca @ The Globe - April 22

Sam Dunn (guitar); Nadim Teimoori (tenor); Martin Longhawn (organ); Tim Carter (drums).
(Review by Lance)
I wasn't sure what to expect. A youngish band, Leeds graduates, a boring evening of 'originals'? The name gave no clues, it could have meant anything. As it turned out, it was the first 2 letters of their surname stuck together.
Still, what's in a name? In for a penny, in for a pound, or to be more precise - £10.
It was worth it! Four excellent musicians laying down a groove that may have had its origins in hard-bop but was now in the 21st century.

Sunday, April 22, 2018

Groove-a-matics @ The Magnesia Bank - April 21

Mick Cantwell (tenor saxophone, harmonica, vocals), Johnny Whitehill (guitar), ? (keyboards); John Morgan (bass) & Barry Race (drums)
(Review by Russell) 
It was back in September 2012 that a blues band from the north east of England flew across the Atlantic to scoop the coveted ‘New Brunswick Battle of the Blues’ award. Then a four-piece, they returned home to continue to gig in pubs and clubs and at prestigious blues festivals. It’s what is expected of a blues band, fame and riches weren’t about to come their way, so Groove-a-matics kept on keepin’ on.
Last night at the Maggie Bank (Magnesia Bank) in North Shields, Groove-a-matics kept on keepin’ on. The now five-piece band – with the addition of keyboards – soundchecked to a loyal following, otherwise, the well-known Camden Street hostelry was very quiet. Bar staff said Saturdays, of late, had been unusually quiet. A ‘lively’ pint of Three Kings’ ‘Billy Mill’ (4%) brewed just along the road, seats were ‘take-your-pick’ with so few in as the best blues band around was ready to go.

Three Deaths - RIP Nathan, Stan and Maurice

Sadly, I overlooked these three deaths. Each one an iconic figure in their own way.
The links below will make you realise just why they were so highly thought of. Not just as musicians, but as human beings. May they all Rest In Peace, they were cornerstones of our music.
Lance.
Nathan Davis - American saxist and Jazz Educator - 81 (April 8).
Stan Reynolds - British trumpet player and bandleader - 92 (April14).
Maurice Reedus Jr. aka 'The Sax Man' - Legendary street performer in Cleveland, Ohio - 65 (April 16).

CD Review: McLenty Hunter Jr. - The Groove Hunter

(Review by Lance)
A well-titled album for  Hunter does indeed set down some good grooves on this post hard-bop disc. 
The drummer, who studied with the late Grady Tate and went on to earn his Masters at Julliard under Carl Allen, spent three years as a member of the Kenny Garrett Quintet as well as performing with such heavies as Lou Donaldson, Curtis Fuller, Javon Jackson and Eric Reed. 
Pianist Reed is on the album and plays magnificently. The opening track, Blue Chopsticks, composed by Herbie Nichols has Reed paying tribute to Nichols, who died of Leukemia in 1963. Like so many great artists in whatever field, Nichols' true status was only acknowledged after his death and even now, I don't think he's had a mention in the DownBeat Hall of Fame. On Reed's showing here, he [Reed] might get there first.
There's also some nice piano on 3 tracks by Sanders.

Saturday, April 21, 2018

Emma Fisk/James Birkett Duo @ Gala Theatre, Durham - April 20. A 3000 word review!

At BSH we are fortunate in, not only having writers and reviewers with perception and insight, but also some ace photographers such as Ken Drew, Mike Tilley and Malcolm Sinclair. The latter snapper is responsible for these excellent shots of the Emma Fisk/James Birkett concert held yesterday at the Gala Theatre, Durham. Although the concert was sold out, no one has yet provided any words so, working on the premise that a picture paints a 1000 words, here are 3000 of them.
Lance.
PS: I read somewhere recently that, although the Gala's capacity is 120, they only provide seating for 100. My correspondent (I'm not sure who it was as I've lost the original message) suggested that, as the lunchtime sessions are invariably sold out, it would make financial sense for the theatre to buy another 20 chairs. Sounds a good idea to me!

CD Review: Fergus McCreadie Trio - Turas.

Fergus McCreadie (piano/compositions); David Bowden (bass); Stephen Henderson (drums).
(Review by Lance). 
Our reviewer from north of the border recently reported on a live gig by the Fergus McCreadie Trio at the Eyemouth Hippodrome and was very impressed as you will gather from Kay's review. Less than a week later, they were playing on the concourse at GIJF. Unfortunately, such is the nature of multi-stage festivals, I was committed elsewhere and missed what I'm sure was a very lively set.
This disc allows me to play catch-up as the material played at the gigs will, I'm sure, equate to what they play here on this, their debut album.

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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