Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, March 07, 2026

Vintage Explosion @ Whitley Bay Playhouse - Mar. 6

William Hitchell (vocals, guitar); Conor Smith (guitar); Dan Brown (piano); Jimmy Steele (tenor sax); Barry Steele (baritone sax); Richard Anderson (double bass); Douglas Macfarlane (drums)

A first time appearance in Whitley Bay for Vintage Explosion. Sold out in advance, seemingly the Glaswegian outfit can do no wrong. Backed by a super-tight, rock 'n' roll band, William Hitchell sings like nobody's business.

From the get-go Hitchell and co knew they were on to a winner. Some in the auditorium had heard the band before, for others it was a first time experience. And what an experience!


Lung-busting vocals, cutting through the rock 'n' roll mayhem, Hitchell sure can sing. From one town to the next, the set list is broadly the same with the addition of one or two new numbers to keep it fresh.

Don't Knock Upon My Door, soaring vocals, bar room horns (Jimmy Steele, tenor sax, Barry Steele, baritone sax), drummer Douglas Macfarlane nailing it. Huge applause, it's a winner, alright. The Mess Around, they were dancing in the aisles, pianist Dan Brown, a Cumbrian now based in Glasgow, taking a solo. 

The one many/most/all were waiting for is a 24-carat show-stopper. A Change is Gonna Come. Wow! Sam Cooke would have been impressed! 

Minnie the Moocher demanded audience participation. The sold out crowd obliged. The fresh-faced duo of guitarist Conor Smith (a noted performance a while ago at the Globe with Rose Room) and energetic bassist Richard Anderson played their parts to perfection - fine musicians and willing showmen.

Fireworks (no kidding), then Hitchell and band exited the stage. Huge applause, encore demanded, encore granted. Hitchell returned to the stage. In a single spotlight, our man, guitar in hand, sang his now customary closing number - My Way. Like the tune or not, it works. And then the band returned to the fray. Johnnie B. Goode. Perfect. Russell

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