Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, March 07, 2026

Book review: Tad Richards - Listening to Prestige - Chronicling Its Classic Jazz Recordings 1949 - 1972

There can be few, if any, modern jazz fans who are unfamiliar with the Prestige record label. Until its owner, Bob Weinstock, sold the label to Fantasy Records in 1972, along with Blue Note who are still active, Prestige was the main outlet for bebop, hardbop and beyond recordings.

The artists who benefitted from Rudy Van Gelder's ground breaking recording technique were, almost without exception, the major players of the era and they are charted in this remarkable book. Bird, Miles, Trane, Monk, Moody, Rollins, Wardell, Annie Ross, Ornette, Dolphy, Witherspoon, McDuff and many more - the list is almost endless with only the west coasters missing. This was very much a New York/New Jersey operation.

Tad Richards has done painstaking research providing the background to the musicians, their recordings as well references to reviews in DownBeat and their standings in the annual poll.

The spontaneity of many Prestige recordings, according to the author, was due to Weinstock's reluctance to pay for rehearsal time or second takes. He obviously worked on a tight budget. Nevertheless, his love of the music never faltered and without that enthusiasm many of the classic modern jazz recordings we revere today might never have happened.

For this we're thankful and to Tad Richards for collating the information so knowledgeably in this highly recommended publication. Lance

Richards, Tad,:Listening to Prestige: chronicling its classic jazz recordings, 1949–1972. 
Hardcover : 9798855804942, 278 pages, January 2026
Paperback : 9798855804959, 278 pages, January 2026

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