Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest TBC.
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Friday, January 16, 2026

JATLP Lunchtime Concert Series: The Giles Strong Quartet - Jan. 16

© Patti
Giles Strong (guitar); Pete Tanton (trumpet); Ian Paterson (bass); John Bradford (drums)

Another successful lunchtime session at the Literary and Philosophical Society - the Lit & Phil to you and I. These third Friday in the month concerts are always sold out well in advance so, as our genial host invariably suggests, book for the next one while you still can.

What makes these gigs extra special is the variety of jazz offered as well as the presence of a grand piano when needed and, a rarity at jazz gigs, a printed programme.

The piano wasn't needed for this afternoon's session by the guitar-led Giles Strong Quartet although the programme was useful with its mini biographies of the musicians as well as a set list which, within the allocated 60 minutes, was more or less adhered to.

As for the actual music it was well-played, sometimes exceptionally so, no pedal boards or distortion units to assault the ear drums, in other words the epitome of taste.

The material consisted of, in the main, original compositions by the leader. 

© Patti
However, the concert began with that strange pop song from way back, Nature Boy. It's a much improved song without the words and the solos by trumpet, guitar and bass lifted it to a higher level. Merlin's Merlot was inspired by a young ragtime pianist/bartender at the old Prohibition Bar who entertained the customers by serving up Scott Joplin rags in between pouring shots of liquor.

Argentine composer Astor Piazzolla composed Milonga for Three. Arranged by the leader, two music stands were required to accommodate the lead sheet. It was worth it. Giles explained at length how he came up with the title Tune 22 for the next piece. The explanation went over my head but, fortunately, the music didn't. A nice boppish theme and excellent solos particularly from Pete Tanton who was right on the money.

Pete sat the next one out and Giles played Lullaby for Lissa who beamed affectionately at her partner (Giles) and his beautiful melody. A traditional Japanese composition, Sakura, followed then Blues Clues. Again it had Tanton calling the children home with his big fat brassy sound. Bradford's brushwork was amazing. 

Mubo, which was mega fast, had Bradford on sticks for this one and his solo  brought the first big round of applause and deservedly so.

All too soon it was over. Miljarder Stjärnor by Swedish composer Per 'Texas' Johansson closed the show and the audience showed their appreciation with loud applause for four of the finest - the Giles Strong Quartet. Lance

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