Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Wednesday, November 12, 2025

Album review: George Coleman with Strings (High Note- HCD 7349) - Take 2

George Coleman (tenor sax); Dave Hazeltine (piano); John Webber (bass); Joe Farnsworth (drums); Bill Dobbins (arranger) + strings

Sax and strings have a time honoured tradition in jazz. Starting with Bird in the late 1940s and followed by Coleman Hawkins, Ben Webster, Johnny Hodges (with Lawrence Welk, no less) Sonny Stitt, Jan Garbarek, Gary Smulyan and countless others to date. Nor must one forget Stan Getz’s epical 1961 LP - Focus, with Eddie Sauter which significantly raised the bar for this setting.

Renowned Memphis born saxist, George Coleman, has joined this illustrious legacy in his latest offering with his long-time group aboard. Pianist Dave Hazeltine, bassist John Webber and Joe Farnsworth on drums. Recorded in 2022, it includes five classic but lesser played/known vehicles (Victor Young’s Stella by Starlight an exception) such as Mandel’s A Time for Love, Mancini’s Moment to Moment, Monk’s Ugly Beauty and Dedicated To You from the pen of Sammy Cahn. All of which are resplendent in bringing out the magnificence and eclectic dynamism of the brass saxophone and woody sonority of the chamber sized string ensemble at hand here.

Arranger, Bill Dobbins, rises to the occasion with aplomb, especially with his orchestrally lush and bold string introductions on Ugly Beauty and A Time for Love. They are followed by Coleman’s entry with a lyrical patience - understating the themes and giving a welcome contrast to what preceded it.

This autumnal career gem highlights Coleman’s reflective side with his deeply resonant tone coupled with a paucity of notes. Perfectly apt for fully celebrating these superior themes and harmonies. These kind of brilliant but daring choices are principal to Coleman’s music. Now in his now 90th year, may it continue onwards and upward! Frank Griffith

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