Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Friday, June 06, 2025

Album review: Steve Knight - For Years Gone (self-released)

Steve Knight (guitar); Justin Peterson (bass); Linard Stroud (drums)

Yet another name to add to the ever growing list of living guitar greats. Steve Knight has assimilated the past and merged it with the present which augurs well for the future.

Kicking off with his own composition Lure I knew at once that we were on the same side of his Chicago street. A catchy blues theme that, appropriately lured me in.

I've long considered Pure Imagination to be a class above its origins - Willie Wonka and the Chocolate Factory - in the right hands the Bricusse and Newley song is on a par with some of the works of their American counterparts.

Cracklin' pays tribute to Roy Haynes whose nickname it would seem was Snap Crackle. Here the sound of the exploding cereal was effectively provided by Stroud,

Knight sets a fast tempo on Pat Martino's Colossus. It's a finger-busting exercise for both guitar and bass. Stroud drops a few bombs as if to say"hang about guys we've got another six tracks to go!" 

For Years Gone. Knight's late mother provided the inspiration for the title track. Slow and ponderous, the feeling of loss is conveyed but not in a maudlin way.

Kothbiro, composed by Kenyan singer and instrumentalist Ayub Ogada, the title translates to rain is coming. At times Knight's guitar sounds like a Kalimba, the African thumb piano. Peterson goes arco.

George Harrison's Something is taken in a wholly different direction to what I'm used to veering from 7/4 to 4/4 and back again. An unlikely number for a drum solo but at least it's not a 'cover'! 

Joni Mitchell was responsible for Urge for Going, a song from a 1966 album that the trio reshape to suit.

Charlie Christian recorded Seven Come Eleven with the Goodman Sextet. Knight takes it down a different, funkier route. A route he and every other jazz guitarist couldn't have taken if Christian hadn't shown them the way. 

Duke's In a Sentimental Mood played at speed may seem like sacrilege and, in a sense, it is. However, when a song has been performed as a ballad as many times as this one has an alternative approach is called for else why bother? So, Knight put his foot on the gas and I'm pleased to say it didn't end up as a 'car crash' - quite the opposite in fact.

Well worth checking out via BANDCAMP. Lance

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