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| © Jeff Pritchard |
Jim Muirhead (alto/tenor sax); Andrew Woodhead (keyboards); Ben Muirhead (bass); Nathan England-Jones (drums).
The 5:44pm train was again on time so I arrived at the Moor Club far too early. However, to my surprise the band had already arrived and were running through some tunes prior to the 8:00pm start. There was, however, a change in the original line-up as Dan Whieldon had been replaced by an excellent Birmingham based keyboard player Andrew Woodhead. I was pleased to see that there was a good turnout for this gig and, as well as the regular jazz fans, I noticed a few local musicians in the audience.
Paul Hartley posted a preview on BSH earlier last week which included some interesting facts on Jim Muirhead so if you need to know more about the history of this fine musician you should look at Paul's post. Jim did not bring his clarinet but for this gig he alternated between alto and tenor sax, just like Sonny Stitt used to do. The first set was fairly short, only four numbers played so that meant an early interval at 8:45pm which then left a full hour to play six more tunes one of which was a feature for the rhythm section on Tea for Two.
I thought Jim's version of Isfahan sounded good with his tone on alto reminding me of when I first heard Hodges with the Duke Ellington Orchestra. Jim's son Ben, as well as being a very good bass player, composed a couple of the tunes played tonight. On drums, also hailing from Birmingham, Nathan England-Jones did everything that was required from a first rate drummer.
It's a while since I've been to a jazz event where I'd never seen any of the musicians before and my expectations were quite low but I was pleasantly surprised at how much I enjoyed their playing. Jim Muirhead knows how to pick some good tunes and I liked the way he communicated with the audience. His tale of when he was in Rio with the Halle was most amusing.
The closing number was Cole Porter's What is This Thing Called Love? which gets played a lot at jam sessions but this version was given an effective intro and outro arrangement.
There isn't any jazz at the Moor Club on Easter Sunday (April 20) but it is back the following Sunday (April 27) with top trumpeter Neil Yates and the Bim Williams trio. Mike Farmer
Beautiful Love; Song for my Father; How Insensitive; The MNT Blues; Gat Gar; I Let a Song Go Out of my Heart; Tea for Two; Isfahan; Awake; What Is This Thing Called Love?
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