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Bebop Spoken There

John McLaughlin: '' A Love Supreme coincided with my search for meaning in life". (DownBeat, March 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17838 (and counting) posts since we started blogging 17 years ago. 159of them this year alone and, so far, 6 this month (March 3).

From This Moment On ...

MARCH 2025.

Mon 10: Harmony Brass @ Cullercoats Crescent Club.

Tues 11: Solea @ Earthlings, the Healing Café, 94 Buckingham St., Newcastle, NE4 5QR. 7:00-8:45pm. Food available if ordered before 6:30pm. New band: Johannes Dalhuijsen (tenor sax, bass clarinet); Richard Herdman (guitar); Nick Bagnall (bass guitar); John Hirst (drums).
Tue 11: Giles Strong Quartet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Jam session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: The Exu + Matt Cliffe @ Cobalt Studios, Newcastle. 7:00pm.
Thu 13: Oh La La! @ Allendale Village Hall, Northumberland. 7:30pm. £12.00.; £6.00. child. Fifi La Mer (accordion, vocals), Oliver Wilby (reeds).
Thu 13: Fiona Finden’s Jazz Express @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 14: Pete Tanton’s Chet Set @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 14: Paul Taylor @ Jesmond Library, Newcastle. 1:00-2:00pm. £5.00. at the door. Second Friday in the month lunchtime concert series.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 14: Brass Funkeys + Dilutey Juice @ Cobalt Studios, Newcastle. 7:00pm. £12.00., £10.00., £8.00.
Fri 14: Oh La La! @ Edmundbyers Village Hall, Co. Durham. 7:30pm. £12.00.; £10.00. (additional £5.00. supper option, ordered in advance). Fifi La Mer (accordion, vocals), Oliver Wilby (reeds).
Fri 14: The Collective @ Pilgrim, Newcastle. 7:30pm. £8.50.
Fri 14: Bridget Metcalfe Quintet @ St George’s Venue, Park Road, Hartlepool. 7:30pm.

Sat 15: Hot Teapots @ St Augustine’s Parish Centre, Darlington. 12:30pm.
Sat 15: Creakin’ Bones @ Billy Bootleggers. Ouseburn, Newcastle. 4:00pm. Free.
Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: Is This Jazz? @ Cobalt Studios, Newcastle. 7:00pm. Tickets: www.eventbrite.co.uk. Performances by Mu Quintet, Jinjé, A Brief Utopia, John Pope & Co + André Marmot (author of Unapologetic Expression: The Inside Story of the UK Jazz Explosion) in conversation + DJ sets ‘til 3:00am. ‘A Festival of New Jazz’.
Sat 15: Vintage Explosion @ The Cluny, Newcastle. 7:30pm. SOLD OUT!
Sat 15: Alligator Gumbo @ The Forum, Darlington. 7:30pm. £15.00.
Sat 15: One Night Standards @ The White Room, Stanley. 8:00pm. £8.67 (inc. bf). Note - previously advertised Salty Dogs cancelled.
Sat 15: Howlin’ Mat @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Blues guitar.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, May 13, 2024

The Fergus McCreadie Trio @ the Glasshouse - May 12

Fergus McCreadie (piano); David Bowden (bass); Stephen Henderson (drums)

In my early childhood my parents would take (drag?) me along to concerts by, amongst others, the Hallé Orchestra at the City Hall in Newcastle. To my mother the Hallé were the equivalent of the Beatles and Sir John Barbirolli her 'Elvis'. I was perhaps less enamoured although I did eventually come to appreciate the changes of mood and tempo during the movements of the various symphonies that I learned to love (and sometimes hate!)

The thunderous crescendos, the pastoral calm that followed, the intricacies of the strings sawing away against the stentorian bombast of the brass, the woodwind caught in the crossfire and all underpinned by the clashing of the cymbals and the boiling kettle drums triumphantly telling us that victory was nigh.

Although there were no kettle drums, violins, brass or woodwind at last night's concert at the Glasshouse by the award-winning Fergus McCreadie Trio's magnificent first set the overall effect was similar and, after 45 minutes of nonstop music I was so emotionally drained that a second set would have totally wrecked me.

This was jazz for tomorrow and the day after maybe even the day after that linked with the undercurrent of the pianist's Scottish homeland. Piano technique in abundance to the extent that, at one stage I feared a demolition job on the Steinway was imminent only for it to be pulled back from the brink with some delicate, melodious passage and all done without a cheat-sheet in sight.

Bassist Bowden was also responsible for some of the calmer moments his arco solos reminiscent of those early City Hall concerts whilst his pizzicato playing also took me back to City Hall although this time for, say, Ray Brown or Reggie Workman.

On drums, Henderson was relatively subdued (other drummers take note) making his presence felt rather than heard apart from when the mood demanded it.

It was an unforgettable experience that, from this listener's point of view would have benefitted from a few words about the three pieces played rather than the continuous uninterrupted set. Lance  

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