Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, May 13, 2024

The Fergus McCreadie Trio @ the Glasshouse - May 12

Fergus McCreadie (piano); David Bowden (bass); Stephen Henderson (drums)

In my early childhood my parents would take (drag?) me along to concerts by, amongst others, the Hallé Orchestra at the City Hall in Newcastle. To my mother the Hallé were the equivalent of the Beatles and Sir John Barbirolli her 'Elvis'. I was perhaps less enamoured although I did eventually come to appreciate the changes of mood and tempo during the movements of the various symphonies that I learned to love (and sometimes hate!)

The thunderous crescendos, the pastoral calm that followed, the intricacies of the strings sawing away against the stentorian bombast of the brass, the woodwind caught in the crossfire and all underpinned by the clashing of the cymbals and the boiling kettle drums triumphantly telling us that victory was nigh.

Although there were no kettle drums, violins, brass or woodwind at last night's concert at the Glasshouse by the award-winning Fergus McCreadie Trio's magnificent first set the overall effect was similar and, after 45 minutes of nonstop music I was so emotionally drained that a second set would have totally wrecked me.

This was jazz for tomorrow and the day after maybe even the day after that linked with the undercurrent of the pianist's Scottish homeland. Piano technique in abundance to the extent that, at one stage I feared a demolition job on the Steinway was imminent only for it to be pulled back from the brink with some delicate, melodious passage and all done without a cheat-sheet in sight.

Bassist Bowden was also responsible for some of the calmer moments his arco solos reminiscent of those early City Hall concerts whilst his pizzicato playing also took me back to City Hall although this time for, say, Ray Brown or Reggie Workman.

On drums, Henderson was relatively subdued (other drummers take note) making his presence felt rather than heard apart from when the mood demanded it.

It was an unforgettable experience that, from this listener's point of view would have benefitted from a few words about the three pieces played rather than the continuous uninterrupted set. Lance  

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