Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, May 20, 2024

Sunday night @ the Globe: Andrea Vicari Trio - May 19

© Pam
Andrea Vicari (piano, voice); Andy Champion (bass); Russ Morgan (drums)

Get Busy Living or Get Busy Dying. A song from the film The Shawshank Redemption. A film I've never seen although, on the strength of the trio's take on it, I will certainly look out for it on one of those movie channels that I subscribe to and never watch. It had a sort of contemporary New Orleans' feel to it emphasised by Morgan's drumming. Great to see you back Russ. 

You Don't Know What Love is. Who does? Nevertheless, Vicari's playing with its rich chords, intriguing substitutions and a Latin tinged arrangement may well have found the answer.

© Pam
Have You Met Miss Jones? Who hasn't? It's a tune with endless possibilities. It swung and myself and the crowd loved it although Vicari's remark that 'that's got the swing out of the way' was as if to say 'now we've done the dishes we can have some fun'.

Two Vicari originals concluded the first set, both inspired by visits to Eastern Europe.

Counting Minutes, based (I think) on a visit to Montenegro, didn't quite connect with me. Maybe if I'd been to Montenegro it would have been different.

© Pam
However, I had no such reservations about Borovets. Based on a Bulgarian skiing holiday - how the jazz lifestyle has changed - this was the one. The one that ensured no one left. It had the whole nine yards. Piano, bass and drums slaloming down the piste after warning of an avalanche. Vicari adding some wordless vocal sounds along the way. Breathtaking!

After a short interval (hooray!) the second set began with Punching Out an appropriately named original that left me feeling that it was me and not Fury that had been in the ring with Usyk. I should have ducked or at least moved further away from the speakers.

Sanity returned with a beautiful version of Someone to Watch Over me.

© Pam
Even better (if that were possible) was the pianist's tribute to Chick Corea - Chickery. Piano producing runs and phrases Corea would have been proud of, Champion as amazing as he had been all night and Morgan reminding us just what we'd been missing.

The Bells of Newchurch, a pastoral piece full of delicate improvisations was followed by a Monk tune, Ba-lue Bolivar (I think) complete with an explosive drum finale. The actual finale was Aphrodite a blues that had some classic blues piano that suggested Andrea Vicari had been born in New Orleans rather Miami!

It brought a splendid evening to a close - like getting a hole in one at the 18th. Lance
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