Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, May 23, 2024

Olly Styles (tenor sax): Stage 2 End of Year Recital @ Band Room, Music Studios, Newcastle University - May 23

Olly Styles (tenor sax); Jacob Egglestone (guitar); Louis Wild (keyboards); Jamie Watkins (bass guitar); Bailey Rudd (drums)

Good evening said Olly Styles. It was ten in the morning. In a nanosecond our examinee corrected himself...Good morning! Tenor saxophonist Olly looked surprisingly spritely at this most unlikely jazz hour. Ditto his bandmates, familiar names all - Jacob, Louis, Jamie and Bailey. A stage 2, ie second year, student, Olly has been making a big impression on the local jazz scene, notably at the Black Swan jam session and on gigs with Nauta (Olly's rebranded band for this morning's recital).

In a nice touch, Olly's programme notes departed from the formality one expects on an occasion such as this. Not for him O. Styles, tenor saxophone etc. Instead, Olly opted for Olly Styles + The Boys Live @ The Basement...In his notes Olly's confided: I prefer playing and performing in the evening accompanied by a pint or a few. A pint would have to wait, for now Olly's examination would comprise three compositions: Four (comp. M. Davis); Song for Bilbao (comp. P. Metheny) and Crush (comp. B. Reynolds). 

Out front, confident, Olly and 'the boys' despatched Four  to the boundary. An excellent start. Pat Metheny's Song for Bilbao as performed by Michael Brecker (Olly describing the late, great American saxophonist as 'a god'), really took off, with excellent solos by Olly and guitarist Jacob Egglestone. As a second year student, Olly is more than impressive and with a third and final academic year ahead of him, it's all but certain he will develop into a first class musician. As if to confirm matters, Crush produced yet more excellent tenor saxophone playing. 

Olly's notes concluded: Finally, I would like to thank all of you for coming and for getting out of bed so early...I greatly appreciate it. It was worth the effort, be sure to catch Olly at the Black Swan jam session, preferably sitting with 'a pint or few'. Russell  

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