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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Sun 22: Hot Club du Nord @ The Globe, Newcastle. 1:00pm. £15.00. + bf. Xmas party. SOLD OUT!
Sun 22: Red Kites Jazz @ Gibside Chapel, nr. Rowlands Gill. 1:00pm. Admission charge applies.
Sun 22: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 22: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Revolutionaires @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. Superb rhythm & blues outfit.
Sun 22: Laurence Harrison, Paul Grainger & Mark Robertson @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 22: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music (musicians TBC).
Sun 22: Ray Stubbs R & B All-Stars @ Zerox, Sandhill, Newcastle. 7:00pm (doors).

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, January 30, 2024

Album review: Martin Sjöstedt & Stockholm Jazz Orchestra – Horizon

Martin Sjöstedt (piano); Niklas Fernqvist (bass); Adam Ross (drums); Fredrik Kronkvist, Johan Christoffersson (alto saxophone, flute);  Karl Olandersson, Nils Janson, Magnus Broo, Karl Olandersson (trumpet, flugelhorn); Karl-Martin Almqvist (tenor saxophone, clarinet); Andreas Gidlund (tenor saxophone, clarinet, flute); Fredrik Lindborg (baritone saxophone, bass clarinet); Peter Dahlgren, Karn Hammer, Hannes Junestav (trombone); Anders Viborg (bass trombone);

I do love a modern big band (me). It takes me back to the swing music my father loved, but I love the way that a modern band can take those roots and stride forcefully into the present or even the future. It’s a great pity that last year saw the loss of Carla Bley (who also scored points for coming to Newcastle in the '90s) but we still have the mighty Maria Schneider and others such as Katherine Windfeld to carry the banner forward. I haven’t previously been aware of Sjöstedt in a big band setting before, though I have a Claire Martin album (Believin’ It) which has him and Fernqvist as part of her backing trio.

This is an absolutely belting collection. It didn’t really land the first time I listened to it but, once I’d realised that the problem was more to do with the volume I was playing it at, it started to grow. It’s a mix of Sjöstedt’s own compositions and covers of tunes by Herbie Hancock, Charlie Parker, John Coltrane and Abdullah Ibrahim. As with any good big band album it’s all about the arrangements and dynamics. Sjöstedt has the band at different places in the landscape, sometimes in full voice, as a dominant force, at other times diminished to allow a soloist to stand out. He avoids the trap that some have fallen into over the years of using the whole band for the occasional shout followed by a series of, essentially quartets of rhythm section plus soloist; not a problem for Sjöstedt on this album. On his own Horizon, for example, as the music rises and falls, even in the quietest moments there is a sense that the rest of the band are straining at the leash to come back in.

And it’s a fun album as well. Take the version of Parker’s Donna Lee presented here. It keeps the bounce and snap of the original and adds the power of the band to give it added energy whilst staying true to the original. By way of contrast Ibrahim’s The Wedding is an elegant flowing ballad; a late night celebration, lovely and uplifting.

In his notes Sjöstedt says that he aimed to provide a sense of personal involvement for everyone and to allow space for each individual’s unique personality and he has achieved that here. Anyone who appreciates a modern big band at its full voiced best will be spinning this on repeat. Dave Sayer

Available on Ubuntu Music via the usual sources,

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