Total Pageviews

Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Tuesday, January 30, 2024

Album review: Martin Sjöstedt & Stockholm Jazz Orchestra – Horizon

Martin Sjöstedt (piano); Niklas Fernqvist (bass); Adam Ross (drums); Fredrik Kronkvist, Johan Christoffersson (alto saxophone, flute);  Karl Olandersson, Nils Janson, Magnus Broo, Karl Olandersson (trumpet, flugelhorn); Karl-Martin Almqvist (tenor saxophone, clarinet); Andreas Gidlund (tenor saxophone, clarinet, flute); Fredrik Lindborg (baritone saxophone, bass clarinet); Peter Dahlgren, Karn Hammer, Hannes Junestav (trombone); Anders Viborg (bass trombone);

I do love a modern big band (me). It takes me back to the swing music my father loved, but I love the way that a modern band can take those roots and stride forcefully into the present or even the future. It’s a great pity that last year saw the loss of Carla Bley (who also scored points for coming to Newcastle in the '90s) but we still have the mighty Maria Schneider and others such as Katherine Windfeld to carry the banner forward. I haven’t previously been aware of Sjöstedt in a big band setting before, though I have a Claire Martin album (Believin’ It) which has him and Fernqvist as part of her backing trio.

This is an absolutely belting collection. It didn’t really land the first time I listened to it but, once I’d realised that the problem was more to do with the volume I was playing it at, it started to grow. It’s a mix of Sjöstedt’s own compositions and covers of tunes by Herbie Hancock, Charlie Parker, John Coltrane and Abdullah Ibrahim. As with any good big band album it’s all about the arrangements and dynamics. Sjöstedt has the band at different places in the landscape, sometimes in full voice, as a dominant force, at other times diminished to allow a soloist to stand out. He avoids the trap that some have fallen into over the years of using the whole band for the occasional shout followed by a series of, essentially quartets of rhythm section plus soloist; not a problem for Sjöstedt on this album. On his own Horizon, for example, as the music rises and falls, even in the quietest moments there is a sense that the rest of the band are straining at the leash to come back in.

And it’s a fun album as well. Take the version of Parker’s Donna Lee presented here. It keeps the bounce and snap of the original and adds the power of the band to give it added energy whilst staying true to the original. By way of contrast Ibrahim’s The Wedding is an elegant flowing ballad; a late night celebration, lovely and uplifting.

In his notes Sjöstedt says that he aimed to provide a sense of personal involvement for everyone and to allow space for each individual’s unique personality and he has achieved that here. Anyone who appreciates a modern big band at its full voiced best will be spinning this on repeat. Dave Sayer

Available on Ubuntu Music via the usual sources,

No comments :

Blog Archive