Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Stephen Joshua Sondheim.
Thu 19: FILM: Köln 75 @ Forum Cinema, Hexham. 7:30pm. £10.00., £7.00., £3.00. Dir. Ido Fluk. Fictional account of Keith Jarrett’s 1975 Köln concert. A Tyne Valley Film Festival preview screening.
Thu 19: Ransom Van @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, January 15, 2024

Roly Veitch recalls his early inspirations: Spencer Davies Group (with Steve Winwood) - Georgia on my mind (1967) - v...


Here’s how I became a jazz lover. I was born in 1946 so my teenage/young adult years were across the ‘swinging sixties’. I had liked The Shadows (learned some of their material on guitar) also Everly Brothers and Buddy Holly. But when the Stones emerged I was drawn to their earthy R&B based early album songs. This led me to the original artists they were influenced by, such as Chuck Berry and Bo Diddley.

When I started my Newcastle office job I discovered a colleague could play good blues and boogie woogie piano (Honky Tonk Train Blues, etc.). I loved that. His name was Bobby Hogg.

Also I went to Club A’Gogo in Percy Street and was knocked out by Steve Winwood with Spencer Davis Group and also I liked Alex Harvey Soul Band.

My work pal then played me Oscar Peterson’s ‘Night Train’ album and that was the eureka moment. I bought some Peterson vinyl albums (at JG Windows of course) and started going to jazz gigs, the New Orleans Club for example. I had stopped playing guitar but wanted to learn jazz piano. I went to Newlands Furniture Store in Northumberland Street where they had rows and rows of old pianos in the basement. Most were rubbish but I found a decent one, a Squire and my grandmother was kind enough to let me keep it at her house. I set about trying to learn blues piano but made limited progress. Eventually when I heard guitarist George Barnes (with Ruby Braff) I loved his playing, went out and bought a cheap guitar (at Barratt’s on Newgate Street) and brought it home and started playing along with the Barnes/Braff albums.

I still think back to those Club A'Gogo days. Steve Winwood was amazing. For anyone not familiar I recommend listen to him playing Georgia on my Mind aged about 17 I think (see YouTube clip above). You could hear a pin drop when he sang that. Roly

2 comments :

Maurice Summerfield said...

Interesting to read Roly's early inspiration was Spencer Davis. Spencer was a big fan of Barney Kessel. In 1971, whilst in Hollywood, he asked his producer Jay Spenter to ask Barney if he would play on a new recording with him and Peter Jameson The result was the LP release -Spencer-Davis-And-Peter-Jameson-'Its-Been-So-Long'United Artists Records – UAS 29177. Barney was a leading member of Phil Spector's 'Wrecking Crew' and played on many #1 popular hits by the likes of Tina Turner, Sonny and Cher, Tha Righteous Brothers, The Ronettes, the Crystals, The Beach Boy and more.

Russell said...

Some years after Spencer Davis, Steve Winwood appeared at Newcastle City Hall. Great voice, all night long playing piano until nearing the end of the concert, Winwood picked up a guitar (Gibson SG?).Nothing flashy, simply superb guitar playing. There is, of course, something of a connection with Blaydon Jazz Club (this year celebrating its 40th anniversary) in as much as one of Winwood's long-serving band members appeared at the Black Bull in his early teens - local hero Paul Booth.

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