Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18897 (and counting) posts since we started blogging 18 years ago. 761 of them this year alone and, so far this month (Sept. 11.) 40.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Sat 12: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 12: Lindsay Hannon: Tom Waits for No Man @ The White Room, Stanley. 7:45pm. £16.26 (inc. bf).

Sun 13: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 13: King Bees @ Shape Patisserie, Darlington. 3:00pm. Free. Duo (Michael Littlefield & Scott Taylor). A Rhythm & Blues Fringe event. Blues excellence.
Sun 13: Alligator Gumbo @ The Cluny. 5:00pm. £17.15.; £11.43; £5.72.
Sun 13: Eternal Triangle + Andy Champion @ The Globe, Newcastle. 8:00pm. JNE.

Mon 14: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Bailey Rudd.

Wed 16: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 17: Front Porch Blues @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 17: Miles 100 @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. Jack Courtney (trumpet); Sue Ferris (tenor sax); Tom Atkinson (guitar); Alan Law (piano); Deon Krishnan (bass); Jeff Armstrong (drums). A night of Miles Davis.
Thu 17: Amphitrio @ Pilgrim, Newcastle. 7:30pm. £7.00. Andrei Petrache (piano); Mike Alex (double bass); Philip Goron (drums).

Fri 18: Danny Lownes’ Hot Club @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Mark Williams Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 18: Emma Fisk’s Hot Club du Nord @ St Cuthbert’s Centre, Crook. 7:30pm. £10.00., £5.00. student.
Fri 18: Rivkala + Beccy Sloan @ Pilgrim, Newcastle. 7:30pm (doors). £10.00.

Tuesday, January 30, 2024

Album review: Martin Sjöstedt & Stockholm Jazz Orchestra – Horizon

Martin Sjöstedt (piano); Niklas Fernqvist (bass); Adam Ross (drums); Fredrik Kronkvist, Johan Christoffersson (alto saxophone, flute);  Karl Olandersson, Nils Janson, Magnus Broo, Karl Olandersson (trumpet, flugelhorn); Karl-Martin Almqvist (tenor saxophone, clarinet); Andreas Gidlund (tenor saxophone, clarinet, flute); Fredrik Lindborg (baritone saxophone, bass clarinet); Peter Dahlgren, Karn Hammer, Hannes Junestav (trombone); Anders Viborg (bass trombone);

I do love a modern big band (me). It takes me back to the swing music my father loved, but I love the way that a modern band can take those roots and stride forcefully into the present or even the future. It’s a great pity that last year saw the loss of Carla Bley (who also scored points for coming to Newcastle in the '90s) but we still have the mighty Maria Schneider and others such as Katherine Windfeld to carry the banner forward. I haven’t previously been aware of Sjöstedt in a big band setting before, though I have a Claire Martin album (Believin’ It) which has him and Fernqvist as part of her backing trio.

This is an absolutely belting collection. It didn’t really land the first time I listened to it but, once I’d realised that the problem was more to do with the volume I was playing it at, it started to grow. It’s a mix of Sjöstedt’s own compositions and covers of tunes by Herbie Hancock, Charlie Parker, John Coltrane and Abdullah Ibrahim. As with any good big band album it’s all about the arrangements and dynamics. Sjöstedt has the band at different places in the landscape, sometimes in full voice, as a dominant force, at other times diminished to allow a soloist to stand out. He avoids the trap that some have fallen into over the years of using the whole band for the occasional shout followed by a series of, essentially quartets of rhythm section plus soloist; not a problem for Sjöstedt on this album. On his own Horizon, for example, as the music rises and falls, even in the quietest moments there is a sense that the rest of the band are straining at the leash to come back in.

And it’s a fun album as well. Take the version of Parker’s Donna Lee presented here. It keeps the bounce and snap of the original and adds the power of the band to give it added energy whilst staying true to the original. By way of contrast Ibrahim’s The Wedding is an elegant flowing ballad; a late night celebration, lovely and uplifting.

In his notes Sjöstedt says that he aimed to provide a sense of personal involvement for everyone and to allow space for each individual’s unique personality and he has achieved that here. Anyone who appreciates a modern big band at its full voiced best will be spinning this on repeat. Dave Sayer

Available on Ubuntu Music via the usual sources,

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