Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 20: Edson Angus Quartet @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 20: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 21: Andrzej Baranek Trio @ The Lit & Phil. 1:00pm. £8.00. Andrzej Baranek (piano); Josh Cavanagh-Brierley (double bass); Dave Walsh (drums). SOLD OUT!
Fri 21: David Gray Flextet @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 21: Errol Linton & His Band + Michael Littlefield & Scott Taylor @ Gosforth Civic Theatre, Newcastle. Excellent blues double bill.

Sunday, December 31, 2023

Album Review: Don Thompson/Rob Piltch – Bells…Now And Then

Don Thompson (piano, bass, vibes); Rob Piltch (guitars).

Topped and tailed by two new songs, this is an album that was originally recorded and released in Canada in 1982 and has now been remixed and remastered for re-release. Forty years on it sounds fresh as new paint, with added interest provided by the various voices Thompson provides depending on which instrument he is playing on the track. (In fact, it is the bass/guitar tracks that work best IMHO, especially the calypso jaunt of Caribe with its dancing guitar and rich full bodied bass underneath).

Having said that, Thompson is/was a wonderful pianist, a slightly less melancholic Bill Evans, indeed I suspect that the inspiration for this album back in 1981 and 1982 lay in the two Bill Evans/Jim Hall albums Undercurrent and Intermodulation they recorded in the 60s.

A Suite of five pieces takes up most of the second half of the CD album (it was the second half of the LP as originally released). The first piece, Kyoto, features a long roaming, exploratory bass solo with minimal support from Piltch. Piltch steps forward for Moon Dance all ringing, celestial, harmonics on the guitar. Red Dragon Fly evokes the wide open west and the Haden/ Metheny album Beyond the Missouri Sky though, of course Thompson/ Piltch were here first. Thompson plays beautiful elegant runs on the piano, casting out streams of notes and Piltch conjures up elliptical slides and slurs from his guitar. By way of contrast, Nexus, is a free piece of round notes on the vibes and skittering guitar sounding like it was recorded in a cavern. Thompson stays with the vibes for Chant as it leads us into the night and the end of the original album. The new last track, Days Gone By, is led off by Thompson, firmly in Evans mode before Piltch joins in o contribute a pointillist solo of single, darting notes. As elsewhere on the album their playing together is tightly interwoven and intertwined, yet delicate, like lacework. It’s a lovely album that may not have been very successful on its first release but it deserves to do well second time around. Dave Sayer

BANDCAMP (Modica Music)

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