Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 31, 2023

Album Review: Don Thompson/Rob Piltch – Bells…Now And Then

Don Thompson (piano, bass, vibes); Rob Piltch (guitars).

Topped and tailed by two new songs, this is an album that was originally recorded and released in Canada in 1982 and has now been remixed and remastered for re-release. Forty years on it sounds fresh as new paint, with added interest provided by the various voices Thompson provides depending on which instrument he is playing on the track. (In fact, it is the bass/guitar tracks that work best IMHO, especially the calypso jaunt of Caribe with its dancing guitar and rich full bodied bass underneath).

Having said that, Thompson is/was a wonderful pianist, a slightly less melancholic Bill Evans, indeed I suspect that the inspiration for this album back in 1981 and 1982 lay in the two Bill Evans/Jim Hall albums Undercurrent and Intermodulation they recorded in the 60s.

A Suite of five pieces takes up most of the second half of the CD album (it was the second half of the LP as originally released). The first piece, Kyoto, features a long roaming, exploratory bass solo with minimal support from Piltch. Piltch steps forward for Moon Dance all ringing, celestial, harmonics on the guitar. Red Dragon Fly evokes the wide open west and the Haden/ Metheny album Beyond the Missouri Sky though, of course Thompson/ Piltch were here first. Thompson plays beautiful elegant runs on the piano, casting out streams of notes and Piltch conjures up elliptical slides and slurs from his guitar. By way of contrast, Nexus, is a free piece of round notes on the vibes and skittering guitar sounding like it was recorded in a cavern. Thompson stays with the vibes for Chant as it leads us into the night and the end of the original album. The new last track, Days Gone By, is led off by Thompson, firmly in Evans mode before Piltch joins in o contribute a pointillist solo of single, darting notes. As elsewhere on the album their playing together is tightly interwoven and intertwined, yet delicate, like lacework. It’s a lovely album that may not have been very successful on its first release but it deserves to do well second time around. Dave Sayer

BANDCAMP (Modica Music)

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