Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18699 (and counting) posts since we started blogging 18 years ago. 573 of them this year alone and, so far this month (July 11) 27

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Tue 14: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30pm. £15.00 (reservations: 0191 237 3697). ‘July Jazz Barbecue!’
Tue 14: Crook Little Brass Bash @ Crook Community Centre. 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Tue 14: Barnard Castle Little Brass Bash @ The Witham, Barnard Castle. 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Tue 14: Nomade Swing: Dos Guitars Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Tue 14: Jazz Jam Sandwich @ Newcastle Arts Centre. 7:30pm. Free.

Wed 15: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Willington Big Brass Bash @ Town Park, Willington. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Wed 15: Nomade Swing: Dos Guitars Trio @ Café Needle’s Eye, Promenade, Newbiggin-by-the-Sea NE64 6XE. 6:00pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 15: Side Café Orkestar @ The Cumberland Arms, Byker, Newcastle. 7:30pm. £15.00 (£11.00. adv.); £12.00 concs (£8.00. concs adv.).

Thu 16: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 16: Spennymoor Big Brash Bash @ Jubilee Park, Spennymoor. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Thu 16: Coxhoe Little Brass Bash @ Village Green (Pit Wheel). 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Thu 16: Nomade Swing: Dos Guitars Trio @ Lollo Rosso, Morpeth. 7:30pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Thu 16: Stevie Jay Duo @ Newcastle Arts Centre. 7:30pm. Free. Julija Jacenaite & Steve Glendinning.
Thu 16: DK Harrell @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf. USA blues.
Thu 16: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 17: Mejedi Owusu w. Francis Tulip Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Seaham Big Brass Bash @ Terrace Green, Seaham. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Fri 17: Newton Aycliffe Big Brass Bash @ Town Park, Newton Aycliffe. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Fri 17: Ray Stubbs R&B Allstars @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.
Fri 17: Mejedi Owusu w. Francis Tulip Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 17: Zoë Gilby Quartet @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 17: Nomade Swing: Dos Guitars Trio @ Repas 7 by Night, Berwick. 8:00pm. Free. Lollo Rosso, Morpeth. 8:00pm. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.

Sat 18: Streets of Brass @ Market Place, Durham City. 10:00am-4:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Sat 18: Brass Boat Cruise @ Boathouse, Elvet Bridge Jetty, Durham City. Departures at 10:30am, 12 noon, 1:30pm, 3:00pm. £12.00., £10.00., £5.00 (all prices + bf). Durham Brass Festival. Various bands.
Sat 18: Party in the Park @ Wharton Park, Durham City. 5:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands. Entrance o/s Durham Railway Station (Northbound platform).
Sat 18: Zoë Gilby & Dean Stockdale @ FIKA Art Gallery, Morpeth. 6:30pm.
Sat 18: Mejedi Owusu w. Francis Tulip Trio @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 18: Tyne Valley Big Band + Revolutionaires @ Pelton Community Centre. 7:00pm. A Durham Brass Festival event.
Sat 18: Dale Storr @ The Straw Yard, The Barracks, Berwick. 7:30pm. £15.38. Solo piano.
Sat 18: Nomade Swing: Dos Guitars Trio @ Red Lion Inn, Alnmouth. 8:30pm. Free. Lollo Rosso, Morpeth. 8:00pm. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.

Sun 19: Brass Boat Cruise @ Boathouse, Elvet Bridge Jetty, Durham City. Departures at 10:30am, 12 noon, 1:30pm, 3:00pm. £12.00., £10.00., £5.00 (all prices + bf). Durham Brass Festival. Various bands.
Sun 19: Jacob Egglestone Trio @ The Bandstand, The Sele, Hexham. 12 noon. Free.
Sun 19: Tyne Valley Big Band @ Bishop Auckland Town hall. 2:00pm. £7.00 (inc. bf). A Durham Brass Festival event.
Sun 19: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 19: Michael Young Trio @ Engine Room, Sunderland. 2:30pm. Free.
Sun 19: Mejedi Owusu w. Francis Tulip Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 19: SwanNek @ The Bandstand, The Sele, Hexham. 2:00pm. Free.
Sun 19: Nomade Swing: Dos Guitars Trio @ Twelve 06, High St., Newbiggin-by-the-Sea NE64 6DR. 3:00pm. Free. Luco Allievi, Alessandro Brizio, Mariano Gallizio. ‘A Journey Through Swing, Gypsy Jazz, Soul & Pop’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Sun 19: Dale Storr: The Sounds of New Orleans @ The Globe, Newcastle. 8:00pm. Solo piano. POSTPONED!

Mon 20: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 20: Mejedi Owusu w. Francis Tulip Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tuesday, May 18, 2021

Just thinkin' ...

This quote from KT Reeder is interesting, controversial and must surely provoke some further comment"The idea of teaching somebody to improvise is just bloody ridiculous. In this country jazz has been appropriated by universities. They have jazz courses, and they churn out people who have a degree in jazz, which makes me feel very nauseous, the idea that you can be trained to do jazz." - (Giant Steps by David Burke).

This is something I, as one who struggled through various  teach yourself jazz tutors as well as gleaning 'knowledge' from semi-pros, regarded this as the way to go. I mean, did Louis or Bird go to Berklee or Julliard? No, they went to the School of Hard Knocks before graduating to the University of Life.

So it's easy to sentimentalise and typecast today's young Turks as conveyor belt musicians who haven't the, shall we say, soul, the individuality that made  the greats great?

Worth pondering upon.

However, had not jazz achieved the belated 'respectability' of acceptance by the various educational establishments, which direction would future aspiring musicians have turned to? At comps it would have been Bach, Beethoven & Brahms - Bix, Bird and Brecker, who?

The media surrounded them with Beatles, Beach Boys and Beastie Boys and even Ronnie Scott's solo on Lady Madonna probably didn't put a tenor sax, instead of a guitar, on their letter to Santa.

So, the fact that colleges, worldwide, sprung up introducing jazz into the curriculum is to be praised with the end result that we now have a generation of young musicians who, technically speaking, could carve the old masters from here to breakfast time except for the fact that the new kid on the block whose solo incorporated more demi-semi-quavers in 33.5 bars than, say, Johnny Hodges did in his lifetime, will be forgotten tomorrow whereas Hodges, and those like him who used their instrument in the way a painter used his brush created something that will last as long as time itself. Lance

2 comments :

Steve Andrews said...

I'm a bit hesitant to comment on this, Lance, because I know many younger musicians (who isn't?) who have come through the "college" system who are excellent jazz improvisers. I have also heard many who think that running arpeggios at speed regardless of the chord sequence is a substitute for melody and creativity. Colleges can certainly teach musicianship, but can they teach musicality? As to whether they can teach how to improvise jazz, I believe that, unless you were lucky enough to have sprung forth from the womb a fully-formed jazz genius, like Louis, Bix, Hawk, Pres, Bird, Diz and the other acknowledged greats, this can only be learned by dedicated listening to great musicians, particularly on record, where we have the gift of being able to study and learn from their choruses again and again. And then, get out there and Play, Play, Play! Think about what you played, play some more and refine it over years until you can produce a solo that you are, if not proud of, then at least not ashamed of! And if you have never played a solo you were ashamed of, then put the horn away and take up landscape gardening!

Gordon Solomon said...

There are arguments on both sides I suppose. To me there are only two features of a really good improvised solo. Technique and Taste. I have listened many times to well schooled musicians play with tremendous technique but with absolutely no taste. Conversely there are many examples of much simpler solos beautifully constructed and performed. I suppose Coleman Hawkins' Body and Soul is a classic example.

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