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Bebop Spoken There

Béla Fleck: “ And that's the great thing about live performances, you take people on a journey. It doesn't have to be like something else they've heard. It's not supposed to be". DownBeat, April, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thursday, December 12, 2019

CD Review: John Allee – Bardfly

John Allee (vocals, composer, arranger, additional lyrics); Mahesh Balasooriya (piano); Aaron Mclendon (drums); Dominic Thiroux (bass); Javier Vergara (saxophone); Matt Von Roderick (trumpet).
(Review by Ann Alex)

Is Lance favouring me with the most unusual, interesting CDs to review? I ask after listening to this latest humdinger by John Allee, veteran stage and TV actor and singer/songwriter from LA. We get 13 delightful tracks of songs from Shakespeare's plays, set to jazz, with some added lyrics by Allee, who adopts the persona of Feste the jester. The plays range from Othello to Henry IV to Hamlet and the music includes elements of blues, ballads, swing, and even hymns and spoken word.

I have a theory that jazz is especially suitable to accompany Shakespeare's work. I've heard it at many performances; the universal 'feel' sits well with the Bard's universal themes, and much of the music played in the time of Shakespeare was dance music anyway, their 'swing'. The CD begins with Allee speaking to us over a piano jazz groove, introducing the band and setting the scene. Then comes the calm, slow strains of Until the Break of Day, followed by Tomorrow Is St Valentine's Day, with suitably saucy-sounding comments from the trumpet.

Philomel/Hold Thy Peace (You Spotted Snakes) took me back to schooldays when I sang this, but this version is much more fun, done as swing with scat. Oh Mistress Mine is a song of seduction and the shortness of life, a common Shakespearian theme and Sigh No More is a sensitive ballad with a pleasing sax solo. The Hungry Lion is a sly creepy number about graveyards, with a final dissonant chord. Green Willow is gentle and sad and Full Fathom Five has a suitable 'under water' feel from the mellow instrumentation. Then comes the lively irony of Heigh Ho The Holly, and Allee brings out the meaning of the words skilfully ' most friendship is failing, most loving mere folly.' Come Away Death is slow with a bass solo, which is the right instrument to portray death (hope no bass players are offended). Then another death song Never Come Again, and a humorous song to finish, The Wind and the Rain, which outlines the stages of human life.

It goes without saying that the instrumentalists are well up to and beyond the mark. John Allee has performed in many Shakespeare plays, including Twelfth Night and he has also played in the Benjamin Britten musical version of A Midsummer Night's Dream. It is worth noting that the CD deserves careful listening to catch the full meaning of the lyrics, maybe hearing the album three times would hardly be enough. The CD has been available everywhere from October 11 on the Portuguese Knees Music label. See www.johnallee.com
Ann Alex

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