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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, December 31, 2019

CD Review: Andy Scott + Group S - Ruby & All Things Purple

(Review by Frank Griffiths)


Saxophonist and composer Andy Scott, based in the Manchester area formed his first saxophone ensemble, Sax Assault, in 1994. He is also a charter member of The Apollo Saxophone Quartet as well as having received a BASCA award for his tenor saxophone concerto performed by Branford Marsalis with The Scottish Chamber Orchestra in 2012. The name of his current ensemble, Group S came about when performing alongside veteran, iconic saxophonist and composer Wayne Shorter. Andy asked Wayne "what do you call a group of saxophonists?" Wayne paused and gazed, looked up, and said, "Group S!" This was in 2016, with Andy, a member of the sax section in the Royal Liverpool Philharmonic Orchestra and later that year, Group S recorded this CD.

Andy writes "my musical aim with Group S is to feature the classical contemporary musician as equally as the improvising musician, to write for specific musicians, explore solo and ensemble colours and textures, and to try and develop my writing over time." And what a concoction of saxophones it is. Ranging from the sopranino to bass sax and all the others in between joined by a four piece rhythm section, Group S produces a highly effective sound capable of generating an impressive array of collective textures, colours and timbres. Many outstanding soloists adorn the sections including Andy, Mike Hall, Krzytsztof Urbanski, John Helliwell, and Rob Buckland as well as Gwyilym Simcock's piano, James Pusey on guitar, bassist, Laurence Cottle and drummer, Elliot Henshaw.

As Dave Gelly writes "you haven't heard what the saxophone is capable of until you've heard a mixed bunch of them in the hands of nine virtuosi. Of all wind instruments, the saxophone has the most flexible, almost human tone of voice and it's Scott's mastery of this that makes these 12 pieces so appealing. The variety of sound and mood is astonishing." When each soloist is given the space to play, the result is riveting proving that an orchestra of saxophones can easily be as effective as more conventional groupings.

Mike Hall's frantic and propulsive Sabretooth, combines complex harmonic and rhythmic ideas with a funky blues sensibility. This, along with a healthy dollop of Urbankski's serpentine soprano and Hall's blistering tenor trading solo exchanges lead to a skilful graduation of drama and dynamism. Simcock's, Chapters,  is more reflective and peaceful with a lush orchestration and willowy melodies. Bassist Cottle's solo, with its pattering and longing cries, also stands out, not to mention Simon Willescroft's lyrical alto and soprano sax musings arouund the melody. Scott's Tin Can, (influenced from a line in David Bowie's "Space Oddity") has an angularity over a variety of time signature changes allowing Scott's virtuosic tenor saxophone to navigate through a striking and unpredictable rhythmical canvas. Tin Can also gives the listener a brief respite from the full "S" with just the rhythm section joining the leader's ferocious tenor.

Group S, indeed. While there is a wide variety of styles on Ruby... no idea outstays its welcome with the quality of both the writing and playing ensuring the listeners' attention throughout. One hopes that the group will get "S tablished" sufficiently sooner rather than later to appear live at a venue near you.
Frank Griffiths

Andy Scott (tenor sax); Rob Buckland (sopranino/soprano saxes), Krzysztof Urbanski (soprano sax), Simon Willescroft (alto/soprano saxes), Dave Graham (alto sax), Mike Hall (tenor sax), Rob Cope (tenor/baritone saxes), John Helliwell (tenor sax), Chris Caldwell (baritone sax), Jim Fieldhouse (bass/baritone saxes), Gwilym Simcock (piano), James Pusey (guitar), Laurence Cottle (bass guitar), Elliott Henshaw (drums), special guests Barbara Thompson (tenor sax) & Jon Hiseman (drums).

Recorded 2017, released on 2017 on Available on Basho Records - SRCD 52-2.

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