Total Pageviews

Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Fri 12: Pete Tanton’s Chet Set @ The Old Library, Auckland Castle. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Katrina Miller Trio @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Monday, September 25, 2017

Late Night Jazz – Hexham Abbey Festival of Music and Arts, September 23: The Nikki Iles/Stan Sulzmann Quartet.

Nikki Iles – piano; Stan Sulzmann  - Tenor Saxophone; Pete Turner – Bass; Luke Flowers - Drums
(Review by Hugh C/Photo courtesy of Stu Taylor of Credere Media).
It was with strains of Gabriel Fauré's  In Paradisum from the evening's performance of his Requiem by the Festival Chorus and Orchestra that I ascended from the Abbey itself via the Late Night Stairs to the Great Hall in an adjoining building.  Comfortable chairs were set out in neat rows with a few early bird punters already seated prior to the official opening time of 10pm.  Members of the festival chorus and orchestra, bow ties loosened or removed headed, justifiably, to the well-stocked bar.  The gig was scheduled for a 10.30 start.  In the absence of a convenient green room Nikki Iles and Stan Sulzmann were seated patiently to one side, adjacent to the piano, talking; Pete Turner was checking his bass and amplification system and Luke Flowers using the drum stool as a silent practise pad.
The Late Night Jazz session was something of a coup for Festival co-director Martin Hughes who had managed to persuade Nikki Iles that Hexham was only slightly further North than Scarborough where the Quartet had played a lunchtime gig that afternoon at the Jazz Festival.  The move was repaid with a near capacity crowd of approximately one hundred souls.  As is often the case in these circumstances the front row of seats on each side was empty and I was able to pick the best seat in the house.  This also meant I was in a position to have a brief word with Nikki and Stan before the gig.
At 10.30, as scheduled, the band took their places in the performance space (no stage) at the end of the hall.  A quality Kawai piano, lid raised, awaited Iles fingertips.  A microphone placed over the piano strings did not appear to be working – all the better, perhaps.  Apart from the bass mic, the band played completely unplugged and were richly rewarded by the resonant acoustic of the room.

The Quartet opened with Kenny Werner's Compensation.  Sulzmann's full tenor sound dominated initially followed by solos from Iles' piano and Turner's bass.  This sequence more or less set the pattern for the evening.  Come Rain or Come Shine followed, beautifully delivered by Sulzmann's mellow tenor.  Drummer Luke Flowers (depping for the advertised Dave Walsh, who was unable to make the gig due to ill health) was allowed off the leash during this number in short bursts, interspersed by melodic ensemble playing, a very effective form of drum solo, I find.  The announcements between tracks were shared between Stan Sulzmann and Nikki Iles.  It was now Nikki's turn to announce that the next number was from Gershwin's Porgy and Bess:  “My Man's Gone Now” drew an audible “ahhhh” from the audience – to which Sulzmann immediately quipped “Good riddance!”  Solo piano commenced the number with progressive addition of selected bass notes and a rhythmic tapping on the cymbal using the base of the brush handle and finally we were away with the quartet in full swing.

After a short interval allowing replenishment of glasses we were treated to Too Young to Go Steady - equally applicable to all members of the band, as Stan Sulzmann wryly observed.  During this piece we were treated to an exposition of New Orleans style, second line drumming.  This was followed by Nobody Else but Me, allegedly the last tune written by Jerome Kern.  A fine extended bass solo from Pete Turner during this piece.  We were now nearing the witching hour when the licence declared NO MUSIC!  There ensued some discussion as to what the quartet would finish with.  Body and Soul was suggested; a few valedictory words from Festival co-director, Martin Hughes thanked the band and the audience and then we were off into a rip-roaring Ladies in Mercedes (Steve Swallow)  - short solos all round, Sulzmann pointing at drummer, Luke Flowers to remind Nikki Iles to leave him a bit of space.  And then it was all over, a fantastic evening:  short, but very sweet – fine musicians, and such nice people too!
Hugh C.

No comments :

Blog Archive