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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

Archives

Today Sunday August 20

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 12:30pm. Free.
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Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jam w. Scott Wall & Charlie Philp.
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Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free. Summer Break. Back Sept. 3
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Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening
Chris Martin - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Paul Edis Trio - Black Bull, Bridge St. Blaydon NE21 4JJ. 8pm. £5.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 09, 2017

Jazz Co-op Workshop @ The Globe: August 5/6

Tutors: Jilly Jarman and Jim Birkett
(Report by Ann Alex)
This is an account of what 22, or so, of us got up to at this very enjoyable and informative event. As Jim said, music is PLAYED so it should be done for enjoyment, which was what we had. We began with a plenary session of practising rhythms and pitches, singing notes 1, 3, and 5 of the scale, and clapping rhythms with eyes closed. DO try this at home and you’ll find out how difficult it is for everyone to clap correctly at the same time. Much laughter. We then became 2 groups, more advanced people upstairs with Jim doing goodness knows what heavy theory and 4 vocalists downstairs with Jilly and 2 keyboards, 4 saxes, drums and also some of the instrumentalists singing. A very unusual jazz combo indeed, and Jilly on bass guitar and keyboard.
We sang Ole Baby with call and response, lower and higher parts for voices and saxes, Recorda-Me (Joe Henderson), and the ballad You Don’t Know What Love Is. We’ll be eternally grateful for that last beautiful song as an addition to our repertoires. I thought that it was worth coming to the course for that song alone.

In the afternoon session, Jilly produced a penny whistle, all the better to let us hear the strong pure notes of Coltrane’s Equinox, another joy of a tune, and provide a useful exercise in learning both tune and lyrics by ear. Plenty to practise overnight!

On Sunday morning Jim treated us to some quite complex theory. It pays singers to know something of what instruments are doing with chords and you never stop learning about this. (I’m tempted at this point to tell the old joke about the difference between a rock musician and a jazz musician. You can email me if you haven’t heard it). We had fun practising all our songs, then realised that we had to perform for the other group, so we did a wild and free version of Ole Baby and sang a rendering of You Don’t Know What Love Is with a half chorus of solos for each singer, once through for instrumental solos, then a more rhythmic sung rendering. We didn’t do too badly. We then went upstairs to listen to the other band: approximately 2 keyboards, 4 guitars, 3 saxes, clarinet, flute, drums, but no bass. Was there ever a big band like this? They did rather well on Weaver of Dreams and a quirky version of Autumn Leaves, with solos all round.

Then it was time to pack up and go home. I had my usual struggle with my music stand. The Globe should put on a course about putting up and taking down these implements. I’d like to thank all those who made the day work well: the Tutors themselves, Derek for doing the sound as well as playing drums for our group, Sheila for organising the whole workshop which ran seamlessly, Hayley and Ali on the bar. I hope I haven’t missed anyone out.
It was really good - YOU should be there next year!
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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