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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Dan Johnson (sax); Josh Bentham (sax); Bill Watson (trumpet); Ron Smith (bass)

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri. 19: Vieux Carré Jazzmen @ Ayr Jazz Club, Fairfield House Hotel, Fairfield Rd, AYR KA7 2AS. 7:30pm. For accommodation call the hotel on 01292 267461. For tickets call Ayr Jazz Club Secretary, Stuart McLean, on 01292 590773.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).
Sat 20: Boys of Brass @ Brandling Villa, South Gosforth, Newcastle. 8:00pm.

Sun 21 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 21: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Lindsay Hannon & Alan Law + Knats + David Gray’s Flextet + Ben Gilbert Trio + Emma Rawicz. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sun 21: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.

Mon 22: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 23: FILM: Space is the Place @ Tyneside Cinema, Newcastle. 6:25pm. Dir. John Coney (1974). Starring Sun Ra!
Tue 23: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 23: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Steve Glendinning, Paul Grainger, Abbie Finn.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 24: 4B @ The Exchange, North Shields. 7:00pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thursday, August 31, 2017

Paul Edis and Graeme Wilson @ Jazz Lounge, Ushaw College, Durham, August 26















Paul Edis (piano), Graeme Wilson (saxophone).
(Review by Steve T/Photos courtesy of John Cogan)
I recently said people like the idea of (oddball soul singer) Swamp Dogg, Sun Ra, Captain Beefheart and Tom Waites as much as the music and Thelonious Monk may just be the ultimate example of this.
I've been listening to Monk for years but still don't get it, though I have no plans to give up. I even asked local legend Dennis, something of an authority on Coleman Hawkins, thinking I might be able to use that as a route in.
I missed Edis and Wilson’s legendary Caff performance, or should I say I was forbidden to go, so this was a big deal for me. At the interval, Russell, who is a Monk man, said it was the easiest review ever - perfect - though it won't surprise him to find out I disagree; but only a little.
Green Chimneys opened things up, a piece I only know because number one son played it recently at the Caff and the Globe. It's from the album Underground, so there's another way in. As if to illustrate the difficulty in Monk’s music, I felt they missed it and weren't together for the first few bars. I almost thought they would stop and start again, but these are top notch musicians and it's to their credit they quickly got it together. Of course it's entirely possible that they played the intro perfectly and that it's just Monk.
From there on in it was pretty much perfect: Four in One, We See, Monks Mood, Balou Boulevard (I think), Horning In, San Francisco Holiday, Jacky-ing and Light Blue from the first Monk album Graeme heard, a live album re-released 1st Sep, so another route in. Trinkle Tinkle, Ugly Beauty, Nutty and Epistrophe finished set one.
The impending gig in the glorious theatre and a trip to the refectory and bar meant I dipped in and out of the second set, enough to see it was a triumph.
My views on Monk haven't changed so I still think he's not as great as his mythology, though number one wife is a fan - who'd have thought it? I'm sufficiently fascinated by him to enjoy his music live and to keep dipping into his extensive back catalogue, and I totally get why musicians want to play him; the challenge of playing difficult stuff and the boredom of playing music which abides by all the rules. Several years ago, Lord Paul told me he was playing some Monk and I suggested he'd be playing all the right notes, but not necessarily in the right order, as all the older people became hysterical. Andre Previn could have learned a lot from Monk.
Steve T.

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