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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, August 12, 2017

Stu Collingwood Trio @ The Globe August 10

Mo Scott (vocals) Stu Collingwood (organ); Lloyd Howell (drums)
(Review by Ann Alex/Photo from Jazz Coop archive)
This was advertised as a duo, but Mo came along as well, I’m pleased to say. I encountered Mo many years ago as a blues singer but she’s always been familiar with standard jazz songs, and she excelled with the Gasbook last night, giving a rather more raunchy style of interpretation than is usual. Stu explained to me that his organ/keyboard needed only a light touch to play multiple notes very fast, but maybe he was being modest as his fingers flew over the keys and chords like forked lightning, and his feet danced on the pedals, entrancing to watch. And the drummer held all the rhythms together like the master that he is.
An instrumental first, Back To The Chicken Shack, keys skittering, then staccato, then making an almost human laughing sound; next came Groove Merchant, up, down and around the scales. Up stepped Mo to tell us that she Don’t Get Around Much Anymore, then a suitably spirited Fever; she called out to ask Lover Man, Where Can You Be? I think she must have located lover man, as her next song said Squeeze Me. There followed Tell Me More And Then Some and Love Me Or Leave Me. Followed by an instrumental of Georgie Fame’s first big hit Yeh, Yeh, to round off the first half.

An instrumental opened the second leg,  Jimmy Smith's The Cat, then came Weather Report’s Mercy, Mercy, Mercy.
I could hardly stop myself from singing this as we did it at a Sage Jazz Co-op workshop a few months back – I kept quiet and the audience last night didn’t realise what a lucky escape they’d had! Mo returned to the stage for Mean To Me; a sensitive But Beautiful; Lover Come Back To Me. Then my current favourite song, You Don’t Know What Love Is; Route 66 (loud chock sounds from the drums, followed by a drum solo); Duke’s In A Mellow Tone and Ready And Able from instruments only. Mo returned for God Bless The Child; Georgia; Unchain My Heart (a little dance of enthusiasm from Mo); a very bluesy Love Me Like A Man. All stops were out for the final number, Booker T’s Help Me (I Can’t Do It All By Myself).
A good time was had by all.
Ann Alex

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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