Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18982 (and counting) posts since we started blogging 18 years ago. 846 of them this year alone and, so far this month (Oct. 8.) 25.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar.

Tuesday, August 29, 2017

Early Bird Band @ Ushaw Jazz Festival 2017 - August 25

James Metcalf (trumpet), Ben Lawrence (trumpet & piano), Ryan De Silva (baritone saxophone), Andrew Hedges (trombone), Matthew Downey (guitar), Philipp Grobe (piano),  Alex Shipsey (bass) & Hattie Steel (drums) + Paul Edis (tenor saxophone)
(Review/photos Russell).
The second annual Ushaw Jazz Festival opened early Friday evening with a one set performance from the Early Bird Band. Established by musician and educator Paul Edis a little over three years ago at Newcastle’s Lit & Phil Library, this young musicians’ Saturday morning workshop goes from strength to strength. One or two have already flown the nest ensconced at prestigious music schools, another is about to live the dream at Berklee, and others are set to follow in their footsteps.
The current cohort assembled in the Francis Thompson Room as early evening sunlight flooded in through the open sash windows. One dep in – debutant drummer Hattie Steel for Dylan Thompson. The Early Birds are always up for a challenge and the modal form of Maiden Voyage didn’t appear to inhibit them. Leading the way, trumpeter James Metcalf. Band mate, guitarist Matthew Downey, made a contribution with Dr Edis supervising matters and playing some tenor saxophone for good measure. Trumpeters Metcalf and Ben Lawrence exchanged lines on St Thomas with Hattie Steel making her mark in front of a capacity audience. The ensemble hit on a groove with The Ending, a new chart put together in a blink of an eye. Think Dizzy, north African souks; Metcalf conjuring the sights and sounds with Ryan De Silva blowing baritone with no little swagger.


Lou Donaldson’s Blues Walk heard Metcalf once again, Andrew Hedges on trombone, and Philipp Grobe (the Early Birds like to tease him with ‘Dr Phil’!). Bird (that’s the inspirational Charlie Parker) contributed My Little Suede Shoes followed by Herbie Hancock’s pension pot Chameleon featuring a spot-on bass line from the young man seated at the back, Alex Shipsey. The Early Birds are very much a band, playing together, learning together. However special mention must go trumpeter Ben Lawrence. Dr Edis offered the quietly spoken young man the opportunity to play a solo piano piece. Trumpeter, yes, but what a good piano player! Kern and Hammerstein’s GASbook standard All the Things You Are played with imagination and sensitivity, the first highlight of this year’s Ushaw Jazz Festival.       
Russell

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