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Bebop Spoken There

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Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Baghdaddies @ Spanish City Plaza, Whitley Bay. 3:00pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Northern Monkey Brass Band @ Spanish City Plaza, Whitley Bay. 4:30pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 11:00am. Whitley Bay Carnival (outdoor stage).
Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm.
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sunday, May 29, 2016

Harry Potter and a Quintet On Fire - The Sue Ferris Quintet @ Ushaw College, Friday, May 27.











Sue Ferris, tenor sax & flute, Graham Hardy, trumpet & flugelhorn, Paul Edis, piano, Andy Champion, bass and Rob Walker, drums.
(Review/photos by Jerry)
Walking around inside Ushaw College you feel as if you have inadvertently wandered into a Harry Potter movie: the whole complex is impressively Neo-Gothic with much of the interior work designed by Pugin (of Palace of Westminster fame); a huge wall adjoins the main buildings constructed, apparently, for the sole purpose of playing “Cat”, an arcane ball-game like a prototype Quidditch and even the lengthy stroll to the toilets (everything here is on a grand scale) is via an “ambulacrum” with mullioned windows looking out over a grassed quadrangle.
There was certainly magic in the air tonight woven by Sue Ferris and her band of four top musical sorcerers (no apprentices here!) No apprentices, but there was a “wand” as the trusty sax was swapped for a silver flute at the first set’s end for a beautiful tune entitled Witchcraft. Apparently the only thing Sue Ferris couldn’t bewitch was the microphone which fell and slowly snaked floorwards earlier during Watch the Birdie – a Wayne Shorter tune with music cleverly mimicking the words of the title. Like a snake-charmer, she played the most persuasive of solos but gravity put the recalcitrant mic’ beyond her powers. Paul Edis (promoter/pianist/technician) fettled it at half-time. No rest for the wicked!
Earlier we had heard Just Squeeze Me with some fine interplay between sax and trumpet at the end and Well You Needn’t – which I noted down as “magic Monk”.
“Magic” was just my reaction on hearing a familiar favourite but both words seem apposite in the context of Harry Potter in a former seminary!
My notes on the Monk tune also included: “complex piano solo…staccato trumpet blasts…bass solo then crashing drum solo”, with the afterthought, “but subtly varied”. I returned to these notes in an attempt to articulate WHY I so enjoyed this quintet and the reason is partly encapsulated here in the combination of power and subtlety. For a quintet it is a BIG sound: the rhythm section pulls no punches; Sue Ferris, when she puffs her cheeks and runs down into the “basement notes” (my terminology – sorry!) can rattle the floorboards and Graham Hardy can hold a long note longer than I can nurse a pint of real ale!
Yet each can construct solos of such subtlety and variation that you wait, spellbound, to see where they are going next. Take the bluesy piano solo on Some Do, for example, or Andy Champion’s bowed bass on Silver’s Opus de Funk. Or the moody sax solo on Song for My Father with its cascading high notes, repeated phrases and downward runs. Or Graham Hardy’s mellow flugelhorn on his own arrangement of One Hand, One Heart. Or ANY of them on the last two numbers – Mercy, Mercy, Mercy and Take the A Train which brought rapturous applause.
A second reason, which endeared the quintet to this big and mixed-age audience, (more magic, there, I think) is the accessibility of the music. The set-list choices (I think I have mentioned them all apart from The Double-up) are mostly familiar tunes by familiar musicians; the ensemble playing is infectiously rhythmical and strong and the solos, however complex, are never so precious or technical as to bewilder the average listener like me. Thanks to all for a “magical” evening.
Jerry.
P.S. This outstanding performance was preceded by a brief “appetiser” from The Early Bird Band. See below for comments and pic..

3 comments :

Hugh said...

Great review, Jerry, for a great concert. Shame, though about the few people who insisted on having extended conversations or rustling popcorn packets during the performance.

JERRY said...

Sorry to hear that - nothing near us like that (front/right). Sadly it seems to be a feature at all manner of public performances these days!

Steven T said...

What s soulful player too. She joins that elite band including Mezz Mezrow, Eddie Hinton, Bill Clinton and FDT. I haven't included Zawinul, Corea and McLauglin because, as Miles said, they don't see colour; unlike him.

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