Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,012 (and counting) posts since we started blogging 18 years ago. 876 of them this year alone and, so far this month (Oct. 16) 55.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 20: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Pete Tanton (trumpet, flugelhorn).
Tue 20: Graham Hardy’s Eclectic Quartet @ Queen’s Head, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Coquetdale Jazz. Note change of venue.
Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Scotty Adair.

Wed 21: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: FILM: Blue Moon @ Washington Arts Centre. 1:00pm. £4.50 (inc. bf). Biopic of lyricist Lorenz Hart.
Wed 21: De'Sean Jones’ Urban Art Orchestra @ The Cluny, Newcastle. 7:30pm (doors). £10.00.; £5.00. student, unwaged; free to Mercury Awards ticket holders. De'Sean Jones (tenor sax, EWI); Tjoe Man Cheung (guitar); Mikele Montolli (double bass) + others TBA.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 21: Roby Glod-Steve Sewell Quartet @ Central Bar, Gateshead. 8:00pm.

Thu 22: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 22: Mercury Prize @ Utility Arena Newcastle. 8:00pm. £60.25.; £48.75. Line-up inc. Knats.
Thu 22: Dean Stockdale Trio @ Bandstand!, Exhibition Park, Newcastle. 7:30pm. Tickets: £10.20 (inc. bf) via Instagram. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Thu 22: Olly Styles Trio @ The Globe, Newcastle. 8:00pm. £7.75.

Fri 23: Sara Oschlag w. Arnie Somogyi Trio @ The Lit & Phil. 1:00pm. Sara Oschlag (vocals); Ben Lawrence (piano); Arnie Somogyi (double bass); John Hirst (drums). SOLD OUT!
Fri 23: Emma Fisk’s Hot Club du Nord @ Gala Theatre, Durham. 1:00pm. Durham Jazz Festival. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Maja Bugge & Dave Evans @ Claypath Deli, Durham. 7:00pm. Durham Jazz Festival.
Fri 23: Knats @ King Street Social Club, North Shields. 7:00pm. £17.00., £14.70., £11.30., £5.50. SOLD OUT!
Fri 23: King Bees @ Billy Bootleggers, Newcastle. 7:00pm. Free. Superb Chicago blues band.
Fri 23: Sara Oschlag & Arnie Somogyi w. Ben Lawrence @ Ship Isis, Sunderland. 7:30pm. Sara Oschlag (vocals); Ben Lawrence (keyboards); Arnie Somogyi (double bass).
Fri 23: Ronnie Scott’s Soho Songbook @ Redhills, Durham. 8:00pm. James Pearson (piano); Sam Burgess (double bass); Chris Higginbottom (drums); Alex Garnett (sax); Polly Gibbons (vocals). Durham Jazz Festival. SOLD OUT!
Fri 23: SwanNek + Jacob Egglestone @ Fabio’s Bar, Durham. 9:00pm. Durham Jazz Festival.

Thursday, March 31, 2016

ACV @ The Black Swan, Newcastle - March 29

Ollie Dover (reeds); Chris Sharkey (guitar); Matthew Bourne (keyboards); Andy Champion (bass); Joost Hendrickx (drums).
(Review by Steve H/Photo courtesy of Ken Drew)
Tuesday night saw the relaunch of ACV. The only common factor in the new incarnation of the band was Mr AC himself.
At the start of the evening, Andy explained that the music is inspired by world-renowned land sculptor Richard Long. Both the first and second set consisted of a single continuous piece, each able to evoke the feeling of being witness to the construction of a grand organic sculpture. 
The first piece Here and Now and Then was evolved in several different nuanced forms - it ebbed and flowed as layer upon layer of complex soundscapes enticed the listener in. It took a while to really get into what was going on but at a certain ,there was a passage of just a single repetitive electronic note piercing the silence creating a hypnotic effect. Andy Champion then augmented this with some dramatic bowed double bass enhancing the atmosphere further. From here on in, it was all systems go as the band really picked up momentum and blasted their way to an invigorating swashbuckling finale leaving everyone at the interval slightly shell-shocked and awestruck.
The second set began where the first left off with the world premiere of Hours Miles. If anything, this piece was a little bit less fragmented then the previous number and the band really seemed to hit the groove from the start and just kept it going and going. It is perhaps unfair to single anybody out, such was the quality of the entire ensemble, but there was one particular saxophone solo from Ollie Dover which blew me away. To see and hear someone really go with such glorious abandon was both memorable and exciting.
This was certainly a magnificent start to the new ACV era. All members seemed be in such harmony with one another you would have thought the whole band had played together for years. On exiting the Black Swan I joined a couple of people who were discussing the gig; we unanimously agreed what a great night it was although hard to categorise. Independently two of us came up with a single word description which perfectly summed up the evening – Exhilarating!
Steve.

2 comments :

Paul Bream said...

Exhilarating is absolutely the right word, although I could add plenty of others, such as 'magnificent' and 'stunning'.
The first incarnation of ACV was a tremendous band playing some great tunes, but this gig with the new line-up marked a huge step forward, with the long-form pieces - composed and improvised sections sliding seamlessly into each other - demonstrating just how deeply Andy has thought about his music and how the structural skills in his writing have progressed. But he hasn't abandoned his past - the "invigorating swashbuckling finale" to the first set was in fact the theme from 'A Line Made By Walking', the opening track from the first ACV album, so there is real continuity in there as well.
Of course it's complex music (although handled with relaxed panache by the A-list team Andy has now assembled), and Steve is right in his review to say that it took a while for the audience to "get into" what was happening, but the best art doesn't throw up obvious signposts and never fully reveals itself at first acquaintance. So I really look forward to hearing this again . . . by which time I would expect it to be vaguely familiar yet gloriously fresh!

Richard Waddington said...

Great night, thoroughly enjoyed. Loved the first line-up too.

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