Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 13: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 13: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 13: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. CANCELLED! Back on Aug. 27.
Thu 13: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Saturday, July 04, 2015

CD Review: Brianna Thomas - You Must Believe In Love

Brianna Thomas (vocal); Allyn Johnson (piano); Yasushi Nakamura (bass); Ulysses Owens Jr. (drums). Also featuring on some tracks: Russell Malone (guitar) Marcus Printup (trumpet); Wycliffe Gordon, Nick Grinder (trombones); Tivon Penticott (tenor sax); Riza Printup (harp)
(Review by Ann Alex).
Ms Thomas, from Peoria, Ill. has sung with jazz greats such as Clark Terry and Wynton Marsalis both at home and abroad as well as being a jazz educator teaching in New York City schools. 
This is her debut CD.
A varied selection of songs - standards such as Bye Bye Blackbird and Duke Ellington’s Daydream; Stevie Wonder’s Never Dreamed You’d Leave In Summer; You Must Believe In Spring (Michel LeGrand); and 4 original songs, including the entertaining Bree’s Blues -  sung in a pleasing, ‘smokey’ toned voice accompanied by musicians who, needless to say, are well up to the job.

Personally, I found some of the tracks unappealing as the distinctive style of singing didn’t really grab me. Too much pointless scatting, too fussy and over-dramatic.  I’m even tempted to say that Ms Thomas is a better song writer than performer, as her own songs were rather good.  The guest soloists did well, especially the unusual harp on Lover Of My Soul; this song was a love song (original) with a hymn-like quality. Another original I Should Have Known included a Wycliffe Gordon trombone solo which sounded as if the player was talking through the instrument.  This was very skilled playing but I’m afraid I found it rather disconcerting – other tracks had trombone solos which were more pleasing, straightforward and even tender-sounding.
The tracks I did enjoy included Daydream, with its long effective piano solo; In A Mellow Tone, which was very mellow, particularly the Marcus Printup trumpet solo: Stardust, with just voice and bass; Bree’s Blues and You Must Believe In Spring, which was sung to guitar only.
The CD was issued on Sound On Purpose Records on May 26. See www.briannathomas.com
Ann Alex.

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