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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Friday, December 12, 2014

The Big Chris Barber Band @ Sage Gateshead. December 11

Chris Barber (trombone & vocals), Bob Hunt (trombone & trumpet), Mike Henry (trumpet & clarinet), Pete Rudeforth (trumpet), Richard Exall (baritone & tenor saxophones, clarinet), Bert Brandsma (tenor & alto saxophones, clarinet),Trevor Whiting (tenor & alto saxophones, clarinet), Joe Farler (guitar & banjo), Jackie Favelle (double bass & electric bass) & Alan ‘Sticky’ Wicket (drums)
(Review by Russell)
A broken down vehicle left the Chris Barber band on the hard-shoulder of the M69 for hours on end. Their Sage Gateshead concert was delayed one hour with a nine o’clock start and a ready agreement to play one long set (ninety minutes) without pause.
Sage Gateshead’s café, bar and brasserie did unexpected extra business and the hiatus was accepted by all as just one of those things. Hall One staged a Motown revue and a glittering fashion parade (the punters) walked on by to the amusement of the hardened jazzers killing time on people watching duty. Hall Two opened its doors in good time – Sage staff were, as ever, courteous in admitting patrons and assisting some in finding a numbered seat. All three levels in the cockpit-theatre space were open (level one, or the ‘stalls’, if you will, well-populated).
Chris Barber walked onto stage alone and offered a rambling, bumbling apology. Good, all was well with the world! His band joined him. Bourbon Street Parade. Great! Thank you Mr Barber. If there had been time for just the one number it would still have been a treat. Thankfully, this was just the start. Ellington played a big part during the evening. The first Ducal instalment – three numbers topped and tailed by Rent Party Blues and Jubilee Stomp – showcased the immaculate ensemble work of Barber’s outfit, with Bob Hunt’s lovingly crafted arrangements a joy to listen to. Barber took the first of several vocals (perhaps an under-rated aspect of his work) on Take My, Hand Precious Lord and Goin’ Home. Clarence Williams’ Wild Cat Blues (Barber recalled the band’s first recording of the tune was way back in 1955) heard Richard Exall’s excellent baritone and the equally proficient Trevor Whiting on tenor. The sections’ contributions were never less than top drawer; trumpets Mike Henry and Pete Rudeforth spot-on (open or muted), similarly the reeds with Dutchman Bert Brandsma particularly impressive on clarinet and ‘Sticky’ Wicket holding it together behind the traps.  
More Ellington – East St Louis Toodle-Oo and Merry Go Round (Barber solo). Black and Tan Fantasy raised the stakes with Bob Hunt doing things on trombone that appeared to be impossible! Plungers were regularly plungered across reeds and brass to great effect. Barber, conscious of the time, mis-read his watch, calling time some thirty minutes too soon. On-stage asides quickly reshuffled the set list. All Blues focused on Exall’s alto, Hunt’s muted horn and Jackie Favelle’s subtle double bass playing (other band members wandering off into the wings). Hot and Bothered and Petite Fleur (inevitably) told us it was just about time to say farewell to the Big Chris Barber Band…until the next time. A rockin’ Rockin’ in Rhythm (a phalanx of frontline plungers) called time…almost. Who wants Ice Cream? Vanilla, sarsaparilla, this was a gig with a cherry on top! See you next time Chris!                          
Russell.

1 comment :

George Watt said...

There is little more to add to Russell's brilliant synopsis of a wonderful evening. It was the first time I had been in this particular hall and it was perfect for the occasion. Chris has not improved his diction over the years and together with my hearing problem I could not make out what he was saying - but it was ever so. However, his musicianship left nothing to be desired although I sometimes thought he was about to lean on his trombone.

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