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Bebop Spoken There

John Scofield: "I like architecture that lends itself to improvisation." - (Jazzwise November, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,645 (and counting) posts since we started blogging 13 years ago. 1264 of them this year alone and, so far, 91 this month (Oct. 27).

From This Moment On ...

October

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Spooky Jazz @ The Shed, Wylam Library..
6:00-7:30pm. Free, collection for Parkinson's UK.
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

November

Mon 01: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 03: Washboard Resonators @ The Globe, Newcastle. 8:00pm.

Sunday, December 07, 2014

CD Review: Jim Rattigan/Thomas Gould/Liam Noble - Triplicity

Jim Rattigan (French Horn); Thomas Gould (violin); Liam Noble (piano).
(Review by Lance).
I took one look at the press release for this disc and relegated it to the pending tray. I mean to say, French horn, violin and piano - what will they be trying to palm off on us next as jazz? Then, in a weak moment, I said to myself, "WTF I'll give it a spin - nothing else in the pending tray appeals and, with Liam Noble on piano, it can't be all bad.
Truth is - it's all very good!

Rattigan, gets a great sound, almost like a valve trombone but cooler, drier. As emotive as all but the most laid back flugel player this to me is a revelation! Why haven't there been more jazz improvising French hornists? Admittedly the nature of a rotary valve instrument precludes, I would guess, the dazzling flights of fantasy favoured by trumpet players. This isn't a drawback or a hindrance - quite the contrary - it enables the player to choose notes and phrases carefully without covering up a paucity of ideas with bravura flashes of technique.
With players like Rattigan around, the French Horn could soon no longer be just a "Miscellaneous Instrument" but one worthy of a category of it's own.
Violin too was once a "Misc. Inst." Grappelli, Luc Ponty and others moved it out of the doldrums and ensured the instrument had its own distinctive identity in jazz circles. Gould carries on the tradition of his musical forebears - and he can swing too - even if his tone could be fuller, the ideas are there. Horn and fiddle combine brilliantly both in the ensembles and in their challenging solos. Complementing and contradicting each other in the finest musical terms.
This is a jazz record but it is also damn close to being a contemporary classical work too - genres? Who needs them?!
I haven't mentioned Liam Noble - my middle name is Remiss! - Without bass and drums, Noble is the link between the genres. The harmonic foundation he lays down beneath the other two ensures the fluidity of the music and, of course, it goes without saying his solos are no less than what we'd expect from one of the UK's top keyboard men!.
Why haven't I been listening to this non-stop since it was released? Change my middle name from Remiss to Procrastinator.
It's quite wonderful..
Lance.

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