Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18767 (and counting) posts since we started blogging 18 years ago. 631 of them this year alone and, so far this month (July 31) 95.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 05: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 06: Wild Women of Wylam @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 06: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guest Zoë Gilby.
Thu 06: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 06: Bridget Metcalfe Sextet @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 08: ???

Sun 09: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 09: Tees Bay Swing Band @ Ropner Park, Stockton. 2:00-4:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: The Gambling Janes @ The Globe, Newcastle. 8:00pm.

Mon 10: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm.Free.

Tue 11: Jazz Jam Sandwich @ Newcastle Arts Centre. 7:30pm. Free.

Sunday, December 07, 2014

CD Review: Jim Rattigan/Thomas Gould/Liam Noble - Triplicity

Jim Rattigan (French Horn); Thomas Gould (violin); Liam Noble (piano).
(Review by Lance).
I took one look at the press release for this disc and relegated it to the pending tray. I mean to say, French horn, violin and piano - what will they be trying to palm off on us next as jazz? Then, in a weak moment, I said to myself, "WTF I'll give it a spin - nothing else in the pending tray appeals and, with Liam Noble on piano, it can't be all bad.
Truth is - it's all very good!

Rattigan, gets a great sound, almost like a valve trombone but cooler, drier. As emotive as all but the most laid back flugel player this to me is a revelation! Why haven't there been more jazz improvising French hornists? Admittedly the nature of a rotary valve instrument precludes, I would guess, the dazzling flights of fantasy favoured by trumpet players. This isn't a drawback or a hindrance - quite the contrary - it enables the player to choose notes and phrases carefully without covering up a paucity of ideas with bravura flashes of technique.
With players like Rattigan around, the French Horn could soon no longer be just a "Miscellaneous Instrument" but one worthy of a category of it's own.
Violin too was once a "Misc. Inst." Grappelli, Luc Ponty and others moved it out of the doldrums and ensured the instrument had its own distinctive identity in jazz circles. Gould carries on the tradition of his musical forebears - and he can swing too - even if his tone could be fuller, the ideas are there. Horn and fiddle combine brilliantly both in the ensembles and in their challenging solos. Complementing and contradicting each other in the finest musical terms.
This is a jazz record but it is also damn close to being a contemporary classical work too - genres? Who needs them?!
I haven't mentioned Liam Noble - my middle name is Remiss! - Without bass and drums, Noble is the link between the genres. The harmonic foundation he lays down beneath the other two ensures the fluidity of the music and, of course, it goes without saying his solos are no less than what we'd expect from one of the UK's top keyboard men!.
Why haven't I been listening to this non-stop since it was released? Change my middle name from Remiss to Procrastinator.
It's quite wonderful..
Lance.

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