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Bebop Spoken There

David Hadju: "It was kind of a lightning bolt [seeing a photo of a hi-fi store that's now occupied by a phone store]. Everyone had hi-fi systems, now everyone has a phone" - (DownBeat May 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15478 (and counting) posts since we started blogging 15 years ago. 499 of them this year alone and, so far, 120 this month (May 27).

From This Moment On ...

May 2023

Sun 28: Bradley Creswick's Western Swingfonia @ Whitley Bay Carnival. Free. Plaza Arena stage. 12 noon.
Sun 28: MSK @ Whitley Bay Carnival. 12:15pm. Free. Marquee stage. MSK - Steve Glendinning, Katy Trigger, Martin Douglas.
Sun 28: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 28: Back Chat Brass @ Whitley Bay Carnival. 1:30pm. Free. Marquee stage.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Tim Kliphuis Trio @ St Mary's Church, Wooler NE71 6BZ. 3:00pm. £15.00 standard; £5.00 student/unwaged; free under 18. Afternoon Cocktail, a Wooler Summer Arts' concert promotion. Kliphuis (violin); Nigel Clark (guitar); Roy Percy (double bass).
Sun 28: Back Chat Brass @ Whitley Bay Carnival. 3:00pm. Free. Plaza Arena stage.
Sun 28: 4B @ The Exchange, North Shields. 3:00pm.
Sun 28: King Bees @ The Delaval Arms, Old Hartley NE26 4RL. 5:00pm. Free. Chicago blues at its best!
Sun 28: Matt Anderson Quartet @ The Globe, Newcastle. 8:00pm. Anderson (saxophones); Jamil Sheriff (piano); Andy Champion (double bass); Dave Walsh (drums).

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 30: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 30: Big Chris Barber Band @ Whitley Bay Playhouse. 7:30pm.

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 31: 4B @ The Exchange, North Shields. 7:00pm.
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

June
Thu 01: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 01: Thursday Night Prayer Meeting @ The Globe, Newcastle. 7:30pm. Donations.
Thu 01: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 01: Jake Leg Jug Band @ The Globe, Newcastle. 8:00pm.
Thu 01: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Joseph Carville Trio @ Saltburn Community Hall. 7:30pm.
Fri 02: Claire Martin & Her Trio @ The Witham, Barnard Castle. 7:30pm. £25.00., £20.00. Feat. Jim Mullen, Alex Garnett & Jeremy Brown.
Fri 02: Guy Davis + Michael Littlefield & Scott Taylor @ Cluny 2, Newcastle. Doors 7:30pm. Blues double bill.
Fri 02: Anders Ingram @ Prohibition Bar, Newcastle. 8:00pm. Blind Pig Blues Club. Country blues. A 'Jar on the Bar' gig.

Sat 03: Newcastle Record Fair @ Northumbria University, Newcastle NE8 8SB. 10:00am-3:00pm. Admission: £2.00.
Sat 03: Pedigree Jazz Band @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Sue Ferris. £25.00. Enrol at: www.jazz.coop.
Sat 03: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Papa G's Troves @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.

Wednesday, December 17, 2014

CD Review: Keith Jarrett/Charlie Haden/Paul Motian – Hamburg '72

Keith Jarrett (piano, soprano saxophone, flute, percussion); Charlie Haden (double bass); Paul Motian (drums, percussion).
(Review by Hugh)
The Trio with Charlie Haden and Paul Motian was Keith Jarrett's first great band. This recording is of the trio playing live at NDR Funkhaus, Hamburg in July 1972. This concert was part of the first European tour for this trio, organised by ECM. Manfred Eicher returned to the original analogue sources 42 years later, remixing the music first recorded by NDR, together with engineer, Jan Eric Kongshaug. It is somewhat poignant that this work took place the day after Charlie Haden's death.
The CD has six tracks, coming in at just over 55 minutes in total. The first track, Rainbow, is composed by Margot Jarrett. It commences with Jarrett's solo piano. I thought I detected a cough (usually forbidden in Jarrett concerts!) from the audience early on in the recording, until I realised the sudden sharp release of breath was probably the man himself. He is joined later by Haden and Motian in a supportive role but subtly integral to the whole music – this is the trio at it's best.
The next four tracks are Keith Jarrett's own compositions. Everything that Lives Laments commences as a lively duo between Charlie Haden on bass and Paul Motian on percussive instruments that bear a striking resemblance to Swiss cow bells. This is overlain with the flute of Keith Jarrett, alternately blown conventionally and then vocalised through. This is a strange kind of jazz, and to some perhaps not even music. Approximately two-thirds of the way into the piece the Alpine scene develops broader vistas as the Jarrett's sweeping pianism takes over. We now enter the land of slow chord progressions with a gentle undercurrent provided by Haden's bass and Motian's drums.
Piece for Ornette initially features Jarrett on skilful soprano sax with vigorous rhythmic support from the bass and drums of his colleagues. This interplay continues for a full seven and one half minutes (the sweat is almost tangible!) before slowing to allow Haden's bass to come to the fore, with background support from Motian on drums. The piano does not feature in this track – but appears as the third track segues seamlessly into the fourth. Take me Back returns us to the more conventional trio format (with Jarrett on piano and grunts). Life Dance appears almost unannounced, again featuring the regular trio line-up. All three are on top form throughout.
By far the longest track on the CD, at just over 15 minutes is Haden's Song for Che and is Jarrett's only recording of this piece. Naturally the bass features prominently from the beginning, with improvisational interplay of piano, drums and various percussive instruments. Jarrett again takes to soprano sax, with a haunting melancholic quality at times offset by a more earthy, primaeval sound accompanying the rhythmic, almost African style drumming of Motian. According to the publicity, Song for Che has become a new jazz classic – I'm sure it may well have, but not in this version, I think!
When this CD arrived on my desk, I was greatly looking forward to hearing it – it was actually on my Christmas list anyway. Having listened to it a few times it has grown on me. There are moments of pure beauty - Rainbow in particular – interspersed with a strange improvisatory melange, which can probably only be really appreciated in the live setting. Where the applause is left in the edit, the audience of '72 certainly seem to be enjoying it.
Hugh.
Hamburg '72 has been released on the ECM Label, Catalogue Number 470 4256.

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