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Bebop Spoken There

Art Blakey: "You [Bobby Watson] don't want to play too long, because you don't know if they're clapping because they're glad you finished!" - (JazzTimes, Nov. 2019).

Archive

Today Sunday November 17

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Binker Golding Band + Noya Rao + Francis Tulip Quartet - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. £12.00. & £5.00.

Peter Roughead & the Tweed River Jazz Band - Pier Red, Castlegate, Berwick TD15 1LF. Tel: 01289 309168. 3:00-5:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul/ Etc.

Memphis Cruiser - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Wandering Monster + Thomas Dixon Quartet - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 1JY. 3:30pm. £8.00. + £1.13 bf (£5.00. + £1.13 bf, concs.).

Groovetrain - Hoochie Coochie, Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. 5:30pm (4:00pm doors). £10.00.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Jazz Jam - Fabio's, Saddler St., Durham DH1 3NP. 7:30pm. Free. Durham University Jazz Society. All welcome - sitters-in & listeners.

Classic Swing - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 414 2846. 8:00pm. £7.00.

Blues/Funk/Soul

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, December 18, 2014

CD Review: Ruth Lambert Trio – Three

Ruth Lambert (vocals), Giles Strong (guitar) & Mick Shoulder (double bass)
(Review by Russell)
Three is Ruth Lambert’s third CD release and the first with her trio of Giles Strong (guitar) and Mick Shoulder (double bass). Twelve tracks (six original compositions     and six standards) sustain a remarkably high standard of performance. Voice, guitar     and bass have been recorded with painstaking attention to acoustic detail by studio producer Adam Sinclair.
Lambert’s A Love That Never Dies and Strong’s Everything Was Beautiful open the album with a statement of intent; stripped-back, up-close compositions. Listen with headphones and one can almost hear the beating hearts such is the intimacy of it all.   Love Me Like a Man is more often heard as a raucous command. Here the acoustic balance seeks to defy the lyric, resisting the temptation to let rip. Skylark’s will o’ the wisp fragility is handled with the utmost care; Lambert has a case for claiming the definitive take on Hoagy Carmichael’s tune with Strong and Shoulder playing the notes, the right notes, and no more. A Shoulder/Lambert composition – So Tell Me – indicates the potential for more self-penned material in future. The Sammy Cahn/Jule Styne classic Time After Time closes the album with Lambert’s effortless swinging vocals.
Three’s production values are second to none, so much so one could be forgiven for thinking it had been recorded on the legendary Pablo record label. Album credits are due to Adam Sinclair (engineer, mixer and producer), cover design/artwork by Mick Shoulder and photography by Zoe Strong. Three is impossibly intimate, impossibly good. Three (RLT1) is available at www.ruthlamberttrio.com.                       
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance