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Bebop Spoken There

Mark Walker: "A drummer in a big band is always happy. It's like driving a big bus." - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday July 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Jam Session - Black Swan Bar, Newcastle Arts Centre, Westgate Rd., Newcastle NE1 1SG. Tel. 0191 222 9882. 8:00pm. House trio: Stu Collingwood; Paul Grainger; Matt MacKellar.

Archipelago & J Frisco + Mark Williams Trio - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £9.90.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, December 18, 2014

CD Review: Ruth Lambert Trio – Three

Ruth Lambert (vocals), Giles Strong (guitar) & Mick Shoulder (double bass)
(Review by Russell)
Three is Ruth Lambert’s third CD release and the first with her trio of Giles Strong (guitar) and Mick Shoulder (double bass). Twelve tracks (six original compositions     and six standards) sustain a remarkably high standard of performance. Voice, guitar     and bass have been recorded with painstaking attention to acoustic detail by studio producer Adam Sinclair.
Lambert’s A Love That Never Dies and Strong’s Everything Was Beautiful open the album with a statement of intent; stripped-back, up-close compositions. Listen with headphones and one can almost hear the beating hearts such is the intimacy of it all.   Love Me Like a Man is more often heard as a raucous command. Here the acoustic balance seeks to defy the lyric, resisting the temptation to let rip. Skylark’s will o’ the wisp fragility is handled with the utmost care; Lambert has a case for claiming the definitive take on Hoagy Carmichael’s tune with Strong and Shoulder playing the notes, the right notes, and no more. A Shoulder/Lambert composition – So Tell Me – indicates the potential for more self-penned material in future. The Sammy Cahn/Jule Styne classic Time After Time closes the album with Lambert’s effortless swinging vocals.
Three’s production values are second to none, so much so one could be forgiven for thinking it had been recorded on the legendary Pablo record label. Album credits are due to Adam Sinclair (engineer, mixer and producer), cover design/artwork by Mick Shoulder and photography by Zoe Strong. Three is impossibly intimate, impossibly good. Three (RLT1) is available at www.ruthlamberttrio.com.                       
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance