Total Pageviews

Bebop Spoken There

Dave Puddy: "Eventually we paid our entrance money [to Eel Pie Island] and fought our way to one of the many bars where we could buy our Newcastle Brown and retire to the back of the heaving dancefloor. There must have been lights somewhere, but my memory remains of being in some dark cavernous wonderland." - (Just Jazz July 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,612 (and counting) posts since we started blogging just over 12 years ago. 747 of them this year alone and, so far, 11 this month (July 3).

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.
------
Born This Day
Louis Armstrong and Steve Andrews.

Thursday, December 18, 2014

CD Review: Ruth Lambert Trio – Three

Ruth Lambert (vocals), Giles Strong (guitar) & Mick Shoulder (double bass)
(Review by Russell)
Three is Ruth Lambert’s third CD release and the first with her trio of Giles Strong (guitar) and Mick Shoulder (double bass). Twelve tracks (six original compositions     and six standards) sustain a remarkably high standard of performance. Voice, guitar     and bass have been recorded with painstaking attention to acoustic detail by studio producer Adam Sinclair.
Lambert’s A Love That Never Dies and Strong’s Everything Was Beautiful open the album with a statement of intent; stripped-back, up-close compositions. Listen with headphones and one can almost hear the beating hearts such is the intimacy of it all.   Love Me Like a Man is more often heard as a raucous command. Here the acoustic balance seeks to defy the lyric, resisting the temptation to let rip. Skylark’s will o’ the wisp fragility is handled with the utmost care; Lambert has a case for claiming the definitive take on Hoagy Carmichael’s tune with Strong and Shoulder playing the notes, the right notes, and no more. A Shoulder/Lambert composition – So Tell Me – indicates the potential for more self-penned material in future. The Sammy Cahn/Jule Styne classic Time After Time closes the album with Lambert’s effortless swinging vocals.
Three’s production values are second to none, so much so one could be forgiven for thinking it had been recorded on the legendary Pablo record label. Album credits are due to Adam Sinclair (engineer, mixer and producer), cover design/artwork by Mick Shoulder and photography by Zoe Strong. Three is impossibly intimate, impossibly good. Three (RLT1) is available at www.ruthlamberttrio.com.                       
Russell.

No comments :

Blog Archive