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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Thursday, December 11, 2014

CD Review: Michael Mantler – The Jazz Composer's Orchestra Update

Nouvelle Cuisine Big Band (Conductor: Christoph Cech) – soloists: Michael Mantler (trumpet), Harry Sokal (tenor saxophone).
radio.string.quartet.vienna: Bernie Mallinger (violin), Igmar Jenner (violin), Cynthia Liao (viola), Asja Valcic (cello) + Bjarne Roupé (guitar), Wolfgang Puschnig (alto saxophone), David Helbock (piano)
(Review by Hugh C.)
Vienna born composer-trumpeter Michael Mantler recorded The Jazz Composer's Orchestra in 1968. First released on the orchestra's own label, this was later reissued by ECM. The album featured Mantler conducting a large jazz orchestra which included some of the luminaries of the time including: Cecil Taylor, Don Cherry, Roswell Rudd, Pharoah Saunders, Larry Coryell and Gato Barbieri.
In the process of digitising his catalogue, Mantler reacquainted himself with early scores, eventually envisioning fresh performances of not only this vintage material, but also including new versions of material from that period never previously recorded.
In The Jazz Composer's Orchestra Update Mantler has re-imagined his 1960s music for the 21st century, with the amplified radio.string.quartet.vienna added to the instrumentation along with the prominent electric guitar of Bjarne Roupé. They and the Nouvelle Cuisine Big Band were recorded live at Vienna's Porgy and Bess club in 2013.
The CD comes in at just under 55 minutes and comprises ten tracks, all composed by Mantler: Updates One, Eight, Nine, Eleven, Five, Six, Ten and Twelve – parts 1, 2 and 3.
I am not familiar with any of the original album and so come to this with fresh ears. You will have to be a lover of free improvisation to like this CD. I will nail my colours firmly to the mast – I am not! The sleeve notes contain an in depth interview with Michael Mantler. In response to the question: “Has the ratio of composition to improvisation changed from the original album to the new one” he replies: “Very much so. Even though the original idea was, even then, to control and somewhat limit what were, in my opinion, the excesses of free improvisation...” well I think we can agree there! His aim, in the new realisation was to “create a continuity that melds improvisation and composition into one homogeneous work”.
I think he has achieved this aim. There are periods of (composed) breathtaking beauty for both small ensemble and big band, interspersed with raucous cacophony. The CD probably needs to be listened to as a whole, end to end, rather than selectively. The track breaks are hardly noticeable if one is not watching the CD player display.
Overall then, I think this release will fill a niche and will probably appeal to those with an interest in Mantler's previous work (including the 1968 original). The jazz enthusiast with a liking for the big band sound, but with a more experimental twist, is also likely to be rewarded.
The Jazz Composer's Orchestra Update is available on the ECM Label Catalogue Number 379 0789.
Hugh C.

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