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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 11: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 11: Baghdaddies @ Cumberland Arms, Newcastle. Time TBC.
Thu 11: Indigo Jazz Voices: Little Big Band Special @ The Globe, Newcastle. 7:45pm. POSTPONED!
Thu 11: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests Donna Hewitt (sax) Josh Bentham (sax) Garry Hadfield (keys).

Fri 12: Ben Gilbert Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 12: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, December 02, 2014

CD Review: Fini Bearman - Porgy and Bess.

Fini Bearman – voice, Matt Calvert – guitars, Ross Stanley – organ, piano, Wurlitzer, Jon Cox – bass, John Blease – drums, percussion.
(Review by Debra M.)
Fini Bearman’s second album Porgy and Bess is a reimagining of the Gershwin & DuBose Heyward opera ‘through the prism of the classic Miles Davis/Gil Evans’ album’, but clearly has many other influences too. She and her collaborators have interpreted the music quite differently to their predecessors, whilst maintaining the strength of the narrative.
Gone, Gone, Gone opens with a funereal drum roll, which transforms into a rocking lament for the deceased Robbins, with a passionate vocal from Bearman. The sombre mood continues with the reflective and despairing My Man’s Gone Now, a slow waltz with a country feel, inspired by Robert Plant’s & Allison Krautz’s Rising Sands.
There is light relief and a complete change in style with I Got Plenty of Nuttin’, which is given a swinging Rockabilly treatment, and features a fluid organ solo by Ross Stanley, rounded off  with relaxed vocal improvisation and a cracking drum groove to finish. In contrast, Bearman’s delicate, direct delivery of Porgy I’m Your Woman Now is beautifully supported by Matt Calvert’s plucked guitar.
It Ain’t Necessarily So is a Hendrix inspired bluesy rock number, well delivered, but possibly not the ideal treatment for such a light and witty lyric.  However, the mood is just right in I Loves You Porgy, with atmospheric guitar and cymbals augmenting an initially tentative and then heartfelt vocal.  The story draws to a close with There’s A Boat That’s Leaving, which is laid back & groovy, and has a powerful soul infused vocal , and an uncharacteristically  straight ahead jazz guitar solo from Matt Calvert. The relaxed vibe & potential to swing is tempered by the drummer Blease’s on the beat emphasis, possibly a deliberate echo of the sombre backdrop in earlier tracks. 
The album ends with the freely improvised Prayer (Summertime), bearing no resemblance to Gershwin’s overused classic; it has an ethereal, quiet beginning, which the ensemble develops and expands in support of the liberating, wordless vocal climax.  Apparently, there was some debate as to whether to include this track, but their contemporary approach impressively evokes the themes of oppression and loss, love and hope, a demonstration of how this work has inspired generations of musicians.
Debra M.

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