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Bebop Spoken There

Alex Bryson: "When the right lick is played at the right moment it can feel like the best thing ever, even if you've heard it a million times before." (Jazzwise July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14336 (and counting) posts since we started blogging 14 years ago. 555 of them this year alone and, so far, 55 this month (June 19).

From This Moment On ...

June

Sat 25-Sun 26: Harambee Pasadia Festival @ The Hub, Shaw Bank, Barnard Castle DL12 8TD. www.harambeepasadiafestival.com. Line-up inc. Kevin Haynes Groupo Elegua, Hannabiell & the Midnight Blue Collective, Knats. Tickets from £20.00. adult, £10.00. teen (12-17).
Sat 25: Wild Women of Wylam @ Daniel Farm, Wylam. 7:00pm. £20.00. (inc. food).
Sat 25: Julija Jacenaite @ Prohibition Bar, Newcastle. 8:00pm.

Sun 26 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Outdoor (indoor if inclement weather).
Sun 26: Mississippi Dreamboats @ Springwell Village Community Venue, Gateshead. 2:30pm. A ‘1940s’ Weekend’ event (from 1:00pm).
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 26: Los Chichanos @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 28: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Dean Stockdale, Paul Grainger, Sid White.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Four @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 30: Lights Out By Nine @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

July

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Swing Manouche @ The Vault, Hexham. 7:30pm (doors). £20.00.
Fri 01: 1920s Speakeasy w live jazz @ The Exchange, North Shields. 8:00pm. A Blues, Jazz & Swing Festival event.
Fri 01: Struggle Buggy @ Prohibition Bar, Newcastle. Blind Pig Blues Club. 8:00pm.

Tuesday, December 02, 2014

CD Review: Fini Bearman - Porgy and Bess.

Fini Bearman – voice, Matt Calvert – guitars, Ross Stanley – organ, piano, Wurlitzer, Jon Cox – bass, John Blease – drums, percussion.
(Review by Debra M.)
Fini Bearman’s second album Porgy and Bess is a reimagining of the Gershwin & DuBose Heyward opera ‘through the prism of the classic Miles Davis/Gil Evans’ album’, but clearly has many other influences too. She and her collaborators have interpreted the music quite differently to their predecessors, whilst maintaining the strength of the narrative.
Gone, Gone, Gone opens with a funereal drum roll, which transforms into a rocking lament for the deceased Robbins, with a passionate vocal from Bearman. The sombre mood continues with the reflective and despairing My Man’s Gone Now, a slow waltz with a country feel, inspired by Robert Plant’s & Allison Krautz’s Rising Sands.
There is light relief and a complete change in style with I Got Plenty of Nuttin’, which is given a swinging Rockabilly treatment, and features a fluid organ solo by Ross Stanley, rounded off  with relaxed vocal improvisation and a cracking drum groove to finish. In contrast, Bearman’s delicate, direct delivery of Porgy I’m Your Woman Now is beautifully supported by Matt Calvert’s plucked guitar.
It Ain’t Necessarily So is a Hendrix inspired bluesy rock number, well delivered, but possibly not the ideal treatment for such a light and witty lyric.  However, the mood is just right in I Loves You Porgy, with atmospheric guitar and cymbals augmenting an initially tentative and then heartfelt vocal.  The story draws to a close with There’s A Boat That’s Leaving, which is laid back & groovy, and has a powerful soul infused vocal , and an uncharacteristically  straight ahead jazz guitar solo from Matt Calvert. The relaxed vibe & potential to swing is tempered by the drummer Blease’s on the beat emphasis, possibly a deliberate echo of the sombre backdrop in earlier tracks. 
The album ends with the freely improvised Prayer (Summertime), bearing no resemblance to Gershwin’s overused classic; it has an ethereal, quiet beginning, which the ensemble develops and expands in support of the liberating, wordless vocal climax.  Apparently, there was some debate as to whether to include this track, but their contemporary approach impressively evokes the themes of oppression and loss, love and hope, a demonstration of how this work has inspired generations of musicians.
Debra M.

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