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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 12: Central Bar Quintet plays Kind of Blue @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Tuesday, December 02, 2014

CD Review: Fini Bearman - Porgy and Bess.

Fini Bearman – voice, Matt Calvert – guitars, Ross Stanley – organ, piano, Wurlitzer, Jon Cox – bass, John Blease – drums, percussion.
(Review by Debra M.)
Fini Bearman’s second album Porgy and Bess is a reimagining of the Gershwin & DuBose Heyward opera ‘through the prism of the classic Miles Davis/Gil Evans’ album’, but clearly has many other influences too. She and her collaborators have interpreted the music quite differently to their predecessors, whilst maintaining the strength of the narrative.
Gone, Gone, Gone opens with a funereal drum roll, which transforms into a rocking lament for the deceased Robbins, with a passionate vocal from Bearman. The sombre mood continues with the reflective and despairing My Man’s Gone Now, a slow waltz with a country feel, inspired by Robert Plant’s & Allison Krautz’s Rising Sands.
There is light relief and a complete change in style with I Got Plenty of Nuttin’, which is given a swinging Rockabilly treatment, and features a fluid organ solo by Ross Stanley, rounded off  with relaxed vocal improvisation and a cracking drum groove to finish. In contrast, Bearman’s delicate, direct delivery of Porgy I’m Your Woman Now is beautifully supported by Matt Calvert’s plucked guitar.
It Ain’t Necessarily So is a Hendrix inspired bluesy rock number, well delivered, but possibly not the ideal treatment for such a light and witty lyric.  However, the mood is just right in I Loves You Porgy, with atmospheric guitar and cymbals augmenting an initially tentative and then heartfelt vocal.  The story draws to a close with There’s A Boat That’s Leaving, which is laid back & groovy, and has a powerful soul infused vocal , and an uncharacteristically  straight ahead jazz guitar solo from Matt Calvert. The relaxed vibe & potential to swing is tempered by the drummer Blease’s on the beat emphasis, possibly a deliberate echo of the sombre backdrop in earlier tracks. 
The album ends with the freely improvised Prayer (Summertime), bearing no resemblance to Gershwin’s overused classic; it has an ethereal, quiet beginning, which the ensemble develops and expands in support of the liberating, wordless vocal climax.  Apparently, there was some debate as to whether to include this track, but their contemporary approach impressively evokes the themes of oppression and loss, love and hope, a demonstration of how this work has inspired generations of musicians.
Debra M.

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